Due to being placed a year above children her age, Heap has stated she did not get along with many people from the school and spent most of her time in the music room practising piano. She stated, "In boarding school ... I was mocked about the clothes I wore, the way I looked, whatever. People there really did regard me as some kind of freak from the middle of nowhere." Her music teacher, whom she has said considered her "really irritating", would send her to the school's music technology room as punishment, where she taught herself how to sample music. At age twelve, she also taught herself how to use Cubase on an Atari ST computer at Friends' School. By the age of thirteen, she had begun writing songs. At age fifteen, she started using reel-to-reel recording to record her music and using a home computer to program it. She eventually got expelled from the school after cursing at her matron but, as they needed her to perform at the end-of-year concert, lived with the headmistress and played piano for the rest of the year.
Heap's debut commercial single, "Getting Scared", was released in 1997 and included on the soundtrack for the 1998 horror film I Still Know What You Did Last Summer. She released her debut album, the alternative rock record I Megaphone, on 16 June 1998, through Almo, with its songs "Getting Scared", "Shine", and "Come Here Boy" released as singles in the United Kingdom. The record was made with several producers, including Sigsworth, Kershaw, Dave Stewart of Eurythmics, and David Kahne. It featured personal lyricism and critics compared it heavily to the works of fellow female singer-songwriters Tori Amos, Kate Bush, Alanis Morissette, and Fiona Apple. She toured the album in the US and Europe from 1998 to 1999, though Almo cut funding for her tour in the UK and used the money to promote I Megaphone. I Megaphone received airplay on various American radio stations but was a commercial failure, as Almo did little to promote it. Soon after its release, Almo Sounds was acquired by Universal, forcing its artists to either move to other labels or be released. Heap was dropped from the label, leaving her without a record contract.
During her time as an unsigned artist, Heap appeared on two singles: "Meantime", a track written by her former Acacia colleagues, Sigsworth and Alexander Nilere, for the soundtrack to the independent British film G:MT – Greenwich Mean Time, and "Blanket", a 1998 collaboration with British hip hop band Urban Species. "Blanket" was Heap's first charting single, reaching number 56 on the UK Singles Chart. The song would later appear in a 2005 sex tape of Limp Bizkit frontman Fred Durst.
After Frou Frou were dropped from Island Records, Heap had accrued £10 thousand in credit card debt. She was denied bank loans due to not being employed and, afraid of signing another record deal, she remortgaged her flat in Waterloo, London to finance the making of her next studio album. Her property surveyor had been a fan of Frou Frou and offered to provide her the money she needed. Heap used the money to book a session to master the album one year ahead of its recording, to rent a studio at Atomic Studios in Bermondsey, London that had previously been used by Dizzee Rascal, and to purchase all of the equipment to make it. Partly in response to her frustration with being considered "just the singer" in Frou Frou, Heap aimed to create the album without any outside assistance. She also maintained a blog on her website to chronicle the making of the album.
By 2007, Heap's was the fourth most-friended Myspace profile throughout the UK, following Product Red, Gorillaz, and Bullet for My Valentine. I Megaphone was re-released in late 2006 and, in February 2007, she performed two shows—one in Los Angeles and the other in New York City—of material from the album. She was also featured as a guest during Beck's performance at Ronnie Scott's in November 2007 and appeared on two songs from its accompanying live album, Live at Ronnie Scott's, released in 2008, and in its DVD, released in 2009. Heap was featured on English band Temposhark's song "Not That Big" from their debut 2008 studio album The Invisible Line and on Nitin Sawhney's song "Bring It Home" from his 2008 studio album London Undersound. She also appeared on the 2008 compilation album Songs for Tibet: The Art of Peace, which was made by the Art of Peace Foundation in support of the Dalai Lama during the 2008 Tibetan unrest and released in August. In late 2007, she recorded the song "Not Now But Soon" for the soundtrack of the NBC television series Heroes, the album of which was released in March 2008 by the NBC Universal Television, DVD, Music & Consumer Products Group. In October 2008, Heap gave a musical performance in the anti-human trafficking documentary and rockumentary film Call + Response, directed by Justin Dillon.
Also in March 2011, Heap began working on her then–unnamed fourth studio album, which she said would be largely inspired by her trips to Asian countries such as Bhutan, China, and India, and revealed that she would be writing and releasing a new single for the album once every three months. She recorded and released the album's lead single, then released under the working title "Heapsong1" and eventually released commercially as "Lifeline" with a music video, via Ustream. It was made using crowdsourced audio samples, videos, and photos from fans and based on a story she read about the 2011 Tōhoku earthquake and tsunami. "Propeller Seeds", the second single, followed in July 2011, and was billed as the first song to use 3D audio. The third single from the album, "Neglected Space", was created as part of Heap's project with charity organization Clear Village to restore a Georgian walled garden in Bedfords Park and released in October 2011. She starred in the debut episode of the Indian musical reality television series The Dewarists, where she recorded "Minds Without Fear", the fourth single from Sparks, with Indian production duo Vishal–Shekhar. Both "Neglected Space" and "Minds Without Fear" were released in October 2011.
Heap wrote, produced and recorded the song "Magic Me" as the score for the 2017 animated short film Escape, which premiered at the 2017 Tribeca Film Festival in April of that year. Heap also recorded "The Quiet" as the end credits song for the 2017 Square Enix video game The Quiet Man. She performed "Hide and Seek" at the benefit concert and television special One Love Manchester in Manchester in June 2017. Her performance was praised by critics as "powerful" and "melancholy". The following month, she was featured on the song "We Drift On" by British singer-songwriter Dan Black from his second studio album Do Not Revenge. She announced in November 2017 that she would be reuniting Frou Frou with Guy Sigsworth and would be embarking on the Mycelia World Tour with him to promote the release of Mycelia's Creative Passport program. In March 2018, she was awarded the Inspiration Award at the 2018 Music Producers Guild Awards.
The gloves, which eventually came to be known as the Mi.Mu gloves (a name derived from an abbreviation of "me" and "music"), are made from the material Yulex and consist of a hardware board at the wrist developed by Seb Madgwick with an inertial measurement unit used to determine the speed and orientation of the hands, flex sensors over the knuckles, a haptic motor, a removable battery, open palms and LED lights in between the thumb and forefinger which indicate whether or not the user is recording. Open Sound Control data is sent to a computer, which can perform a number of different actions, including adjusting volume, recording loops and filtering sound. The gloves also come with a custom gesture recognition software called Glover that can be integrated with music production apps such as Ableton Live, Pro Tools, and MainStage and was released for standalone purchase in 2021. An accompanying iOS app, Gliss, was also released in 2021 to be used with Glover. They use 802.11 Wi-Fi.
Heap recorded her song "Me the Machine" using an early version of the gloves, debuting the single during a livestream on Earth Day in 2012. Also in 2012, she showcased the Mi.Mu gloves on an episode of the BBC television series Dara Ó Briain's Science Club. Heap began crowdfunding to produce more pairs of the gloves in April 2014 on Kickstarter, with a goal of £200,000, but the campaign failed to meet its target. However, the Mi.Mu project found investors who collaborated with Heap's team to continue to develop the gloves. An early investor and user of the gloves was American singer Ariana Grande, who used the gloves during her second concert tour, the Honeymoon Tour, in 2015. In April 2019, the Mi.Mu gloves became publicly available for pre-order. In 2021, they sold for £2,500 a pair. Popular Science included the Mi.Mu gloves on their list of the 100 greatest innovations of 2019.
During the COVID-19 pandemic, Heap began work on a project called "Augmented Imogen", meant to be an artificial intelligence (AI) version of herself. In late 2024, she began developing Mogen, also known as AI.Mogen (stylized in lowercase), an AI assistant that began as a premium feature on her app. She developed it with an audio engineer and trains it using Plaud Note, a ChatGPT-powered voice recorder. She has stated that it is based on "anything [she has] ever said or done" and designed to answer questions about her life and work for fans and to collaborate with her on future projects while replicating her voice. Heap used AI.Mogen on her 2024 remix of Slovakian singer Karin Ann's song "False Gold" and to produce the final part of her 2024 song "What Have You Done to Me?" Paul G. Oliver, a lecturer at Edinburgh Napier University, wrote for The Conversation that Mogen was "a fascinating case study into the evolving relationship between music, technology and human creativity" and "a refreshing alternative" to fears of AI replacing human musicians, while Emma Keates of The A.V. Club derisively compared the project to Heap going "full Black Mirror", specifically likening it to the show's episode "Rachel, Jack and Ashley Too".
In the late 1990s, Heap's music was largely alternative rock. However, after forming and subsequently disbanding the electronic duo Frou Frou, whose work on their sole album to date, Details, was mainly electropop, her music became primarily based in pop, specifically electropop, art pop, alt-pop, synth-pop. She has written, produced and engineered most of her music on her own. She has also stated that she rarely listens to music, but draws inspiration from TED conferences.
Heap plays a number of instruments, including the piano, clarinet, cello, guitar, keytar, drums, waterphone, and array mbira. She extensively uses manipulated electronic sounds as an integral part of her music. She also mixes ambient sound into her music and has commented that "certain sounds give the music a width and a space, and that's important." CNN stated that Heap is known for "her distinctive fusion of soft acoustic sounds, electronica and tech".
Heap has said that she "really [doesn't] like writing lyrics" and called them "a pain in the ass", describing herself as feeling "much more" comfortable producing. Heap has compared her lyrics to "secret messages to my friends or my boyfriend or my mum or my dad" and stated that they are often written "in the heat of the moment [about] something [that] has just happened".
Heap has been regarded as influential in pop music, specifically in electropop and for using technology in her music. NPR's Lindsay Kimbell referred to Heap as a "pioneer of electronic pop" in 2018, while Stephen Thompson said in 2025 on Morning Edition that hers was "a pioneering electro-pop career that stretches back roughly three decades". Billboard called Heap an "electro-pop innovator". In 2018, Stereogum's Margaret Farrell referred to Heap as "pop's unsung pioneer" and "an electronic pop mastermind", going on to describe her as "a mystical force that has loomed over pop music for nearly two decades". In 2019, The New York Times similarly called Heap a "pop pioneer" whose work "has established her as an innovator in musical technology". For Paper, Matt Moen called Heap "the Nikola Tesla of pop music" in that "[her] influence in the field of pop has largely gone unappreciated in her own time". Various outlets, including NPR and New Statesman, have called Heap a "tech pioneer". Patrick Ryan of USA Today wrote that Heap "pioneered" the subgenre of folktronica, which combines elements of folk music and electronica.
Heap is also known for her contributions to film and television soundtracks. She became known as an early adoptee of social media, particularly Twitter, Myspace, and vlogging, to promote her music and interact with her fans. She has expressed praise toward social media's role in music, stating in 2010 that, because of it, "anyone and everyone can get creative and get their voice heard". She is also known for her devoted fanbase, with Ian Youngs describing them for BBC News as "substantial" and "among the most devoted and active in music" in 2010. A 2012 YouGov poll of her fans found that more than half of the respondents lived in the United States, more than three-fourths were born after 1975, and slightly more than half were male. Her renewed success in 2025 through the online popularity of "Headlock" led to an influx of Gen Z fans of her music. Her fashion style has been described as "kooky", "theatrical", "weird", and "flamboyant". Cory Albertson of Paste described her as having "an outlandish visual persona". Her frog-themed outfit at the 49th Annual Grammy Awards has been included on several lists of the most outrageous and iconic Grammys outfits of all time.
Heap began dating film director Michael Lebor in 2012. In June 2014, Heap announced in her video blog that she was pregnant with her first child with Lebor. She gave birth to their daughter later that year.[better source needed]
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Lynskey, Dorian (28 March 2006). "Dorian Lynskey talks to singer Imogen Heap". The Guardian. Retrieved 11 February 2021. https://www.theguardian.com/music/2006/mar/28/popandrock
Stern, Bradley (30 May 2017). "Outta This World: Britney Spears' Japanese Bonus Tracks Through the Years". PopCrush. Retrieved 12 June 2025. https://popcrush.com/britney-spears-japan-japanese-bonus-tracks/
O'Donnell, Kevin; Greenblatt, Leah (1 September 2016). "Every Britney Spears Song, Ranked". Entertainment Weekly. Retrieved 12 June 2025. https://ew.com/article/2016/09/01/every-britney-spears-song-ranked/
Sheffield, Rob (7 March 2022). "'Over to You Now' (2005)". Rolling Stone Australia. Retrieved 12 June 2025. /wiki/Rob_Sheffield
Adolphus, Emell (9 August 2023). "Listen: The 10 best bops celebrating the joys of backdoor fun". Queerty. Retrieved 12 June 2025. https://www.queerty.com/listen-the-10-best-bops-celebrating-the-joy-of-anal-sex-20230809/
Davis, Johnny (3 June 2006). "One woman band". The Times. Retrieved 5 May 2025. https://www.thetimes.com/sunday-times-rich-list/profile/article/one-woman-band-vnngh22860r
Clarke, Betty (10 February 2006). "Imogen Heap". The Guardian. Retrieved 5 May 2025. https://www.theguardian.com/music/2006/feb/10/popandrock
Moen, Matt (8 May 2019). "Imogen Heap: 'I've Never Been Burdened by Fame'". Paper. Retrieved 25 November 2020. https://www.papermag.com/imogen-heap-profile-2635198880.html?rebelltitem=49
"The OC Mix 5". IGN. 29 September 2005. Retrieved 5 May 2025. https://www.ign.com/articles/2005/09/29/the-oc-mix-5
Brandle, Lars (10 November 2007). "In Synch: U.K. Labels Cross Atlantic For Film, TV, Ad and Game Placements". Billboard. London. p. 21. Retrieved 5 December 2020. https://books.google.com/books?id=xw4EAAAAMBAJ&pg=PA21
"Gold & Platinum". Record Industry Association of America. Retrieved 3 November 2018. https://www.riaa.com/gold-platinum/?tab_active=default-award&se=Imogen+Heap#search_section
"British single certifications – Imogen Heap – Hide and Seek". British Phonographic Industry. Retrieved 23 June 2025. https://www.bpi.co.uk/award/17143-5567-1
Lynskey, Dorian (28 March 2006). "Dorian Lynskey talks to singer Imogen Heap". The Guardian. Retrieved 11 February 2021. https://www.theguardian.com/music/2006/mar/28/popandrock
Zellner, Xander (21 January 2025). "Hot 100 First-Timers: Imogen Heap Scores First Entry Ever, Thanks to 2005 Song 'Headlock'". Billboard. Retrieved 7 May 2025. https://www.billboard.com/music/chart-beat/imogen-heap-headlock-hot-100-first-timers-1235880012/#:~:text=35%20on%20the%20Hot%20R%26B,21%3B%202014).
Sanneh, Kelefa (20 November 2005). "Reggae's Bootleg Respect and a Hit for the Text-Message Set". The New York Times. Retrieved 5 May 2025. /wiki/Kelefa_Sanneh
Farrell, Margaret (9 November 2018). "The 10 Best Imogen Heap Songs". Stereogum. Retrieved 30 November 2020. https://www.stereogum.com/2022304/imogen-heap-best-songs-playlist-frou-frou/lists/
"8 sampled tracks behind some of the biggest tunes". BBC. Retrieved 5 December 2020. https://www.bbc.co.uk/programmes/articles/5M1LctGZFMR54Pp4SxflyfB/8-sampled-tracks-behind-some-of-the-biggest-tunes
"Imogen Heap: Recording Ellipse". Sound on Sound. Retrieved 19 January 2021. https://www.soundonsound.com/people/imogen-heap-recording-ellipse
Davis, Johnny (3 June 2006). "One woman band". The Times. Retrieved 5 May 2025. https://www.thetimes.com/sunday-times-rich-list/profile/article/one-woman-band-vnngh22860r
Griffin, Myles (16 September 2005). "Listen Up: Imogen Heap". Spartanburg Herald-Journal. Retrieved 5 May 2025. https://www.goupstate.com/story/news/2005/09/16/listen-up-imogen-heap/29770610007/
"Praise heaped on download diva". The Age. 2 May 2006. Retrieved 8 May 2025. https://www.theage.com.au/entertainment/music/praise-heaped-on-download-diva-20060502-ge28ey.html
Greenblatt, Leah (7 November 2005). "Speak for Yourself". Entertainment Weekly. Archived from the original on 14 October 2017. Retrieved 5 May 2025. https://web.archive.org/web/20171014034643/http://ew.com/article/2005/11/07/speak-yourself/
Roberts, Michael (7 December 2006). "Imogen Heap". Westword. Retrieved 4 December 2020. https://www.westword.com/music/imogen-heap-5091189
Caulfield, Keith (2 September 2009). "Colbie Caillat's No. 1, Miley Crashes Party On Billboard 200". Billboard. Retrieved 13 May 2025. https://www.billboard.com/music/music-news/colbie-caillats-no-1-miley-crashes-party-on-billboard-200-267524/
Seabrook III, Robby (15 July 2017). "French Montana & Travis Scott's 'Jump' Samples An Imogen Heap Song". Genius. Retrieved 16 May 2025. https://genius.com/a/french-montana-travis-scott-s-jump-samples-an-imogen-heap-song
Sutherland, Mark (20 June 2009). "On the Fast Track". Billboard. pp. 24–26. Retrieved 11 May 2025. https://books.google.com/books?id=wBeEDJhw110C&pg=PA24
"Canadian album certifications – Imogen Heap – Speak for Yourself". Music Canada. Retrieved 23 June 2025. https://musiccanada.com/gold-platinum/?_gp_search=Speak+for+Yourself%20Imogen+Heap
Zellner, Xander (21 January 2025). "Hot 100 First-Timers: Imogen Heap Scores First Entry Ever, Thanks to 2005 Song 'Headlock'". Billboard. Retrieved 7 May 2025. https://www.billboard.com/music/chart-beat/imogen-heap-headlock-hot-100-first-timers-1235880012/#:~:text=35%20on%20the%20Hot%20R%26B,21%3B%202014).
Praise for Speak for Yourself's vocals, songwriting, and innovation:
Perlaki, Mark (28 June 2006). "Imogen Heap - 'Speak For Yourself'". Gigwise. Archived from the original on 28 June 2006. Retrieved 5 May 2025. Her second solo album, Speak for Yourself, displays talented songwriting and an expressive voice ... it's in the lyrics and voice that Imogen truly shines.
Reid, Dave (16 April 2006). "Imogen Heap - 'Speak for Yourself'". The Skinny. Retrieved 5 May 2025. Heap [has] ethereal vocals ... there is fine song writing and production craft at work throughout ... The entire work is infused with Imogen's personal style that sounds like nobody but herself.
Hyman, Nick (11 May 2008). "Imogen Heap: Speak for Yourself". Under the Radar. Retrieved 5 May 2025. Heap's song structure and production showcase intense passion ... [she has] a damn compelling voice.
Vrabel, Jeff (19 December 2005). "Imogen Heap: Speak For Yourself". PopMatters. Retrieved 5 May 2025. ... through it all, though, her vocals remain a sweet, stirring center ...
Luerssen, John D. "Speak for Yourself Review". AllMusic. Retrieved 5 May 2025. The U.S. debut solo album by Frou Frou vocalist Imogen Heap is a captivating record that fuses innovative electronic soundscapes with a strong female voice.
Ridgway, Julian (18 July 2005). "Album Review: Imogen Heap - Speak For Yourself". Drowned in Sound. Retrieved 5 May 2025. However, at its core, 'Speak for Yourself' is inventive and genuinely captivating.
https://web.archive.org/web/20060628010051/http://gigwise.com/contents.asp?contentid=7914
Vaziri, Aidin (30 October 2005). "Pop Quiz: Imogen Heap". SFGate. Retrieved 5 May 2025. You paid for and made this album yourself. Do you find it funny that the only major criticism anyone has is that it sounds too polished? https://www.sfgate.com/music/popquiz/article/pop-quiz-imogen-heap-2575326.php
Criticism for polished/overornate production:
Perlaki, Mark (28 June 2006). "Imogen Heap - 'Speak For Yourself'". Gigwise. Archived from the original on 28 June 2006. Retrieved 5 May 2025. ... the beats can be somewhat overbearing and distracting at times ...
Heawood, Sophie (12 August 2005). "Imogen Heap, Speak for Yourself". The Guardian. Retrieved 5 May 2025. However, Heap's expert production skills are her downfall: her voice is so well sculpted here that its natural shine can get lost ...
Raposa, David (31 October 2005). "Imogen Heap: Speak for Yourself". Pitchfork. Retrieved 5 May 2025. This record is produced within an inch of its life, sounds on top of sounds topped off with a gauzy candy-coated sheen that's, at times, too much to bear ... sometimes, she gets lost within her own round-robin multi-tracking trickery.
Liss, Sarah (12 January 2006). "imogen heap". Now. Retrieved 5 May 2025. ... the sanded-off production of Speak For Yourself lets it fade into pleasant aural wallpaper more often than not.
https://web.archive.org/web/20060628010051/http://gigwise.com/contents.asp?contentid=7914
Oinonen, Janne (2 May 2006). "Imogen Heap - 'Goodnight & Go'". Gigwise. Retrieved 7 May 2025. https://www.gigwise.com/reviews/tracks/16568/Imogen-Heap---Goodnight--Go-SonyBMG-Released-080506/
"Official Singles Chart on 14/5/2006". Official Charts Company. Retrieved 8 May 2025. https://www.officialcharts.com/charts/singles-chart/20060514/7501/
"Sony BMG U.K. relaunches Epic". The Hollywood Reporter. London: Associated Press. 27 March 2007. Retrieved 6 May 2025. https://www.hollywoodreporter.com/business/business-news/sony-bmg-uk-relaunches-epic-132868/
Renshaw, David (2 October 2006). "Imogen Heap - 'Headlock'". Gigwise. Retrieved 5 May 2025. https://www.gigwise.com/reviews/tracks/23031/Imogen-Heap---Headlock-White-Rabbit-Released-161006/
"Just Like Heaven Soundtrack On The Way". IGN. 24 August 2005. Archived from the original on 6 May 2023. Retrieved 4 December 2020. https://web.archive.org/web/20230506070456/https://www.ign.com/articles/2005/08/24/just-like-heaven-soundtrack-on-the-way
"Imogen Heap Visits Narnia". IGN. 17 November 2005. Retrieved 4 December 2020. https://www.ign.com/articles/2005/11/17/imogen-heap-visits-narnia
"Singer/Songwriters Contribute To 'Narnia'". Billboard. 1 December 2005. Retrieved 4 December 2020. https://www.billboard.com/articles/news/60486/singersongwriters-contribute-to-narnia
Lynskey, Dorian (28 March 2006). "Dorian Lynskey talks to singer Imogen Heap". The Guardian. Retrieved 11 February 2021. https://www.theguardian.com/music/2006/mar/28/popandrock
"Grammy winners". Variety. 11 February 2007. Retrieved 5 May 2025. https://variety.com/2007/film/awards/grammy-winners-2-1117959011/
Goodridge, Mike (18 August 2006). "Brokeback, Kong among World Soundtrack Award nominees". Screen International. Retrieved 8 May 2025. https://www.screendaily.com/brokeback-kong-among-world-soundtrack-award-nominees/4028328.article
"Listings: This week, don't miss..." The Times. 27 November 2005. Retrieved 5 May 2025. https://www.thetimes.com/travel/destinations/uk-travel/england/london-travel/listings-this-week-dont-miss-ns5kxhd50q9
Prasad, Yuri (26 November 2005). "Nitin Sawhney: taking a stand against the war, lies and racism". Socialist Worker. Retrieved 5 May 2025. https://socialistworker.co.uk/news/nitin-sawhney-taking-a-stand-against-the-war-lies-and-racism/
Rigby, Tony (9 February 2006). "Imogen Heap, Scala, London". The Independent. Retrieved 13 May 2025. https://www.the-independent.com/arts-entertainment/music/reviews/imogen-heap-scala-london-6109572.html
Davis, Johnny (3 June 2006). "One woman band". The Times. Retrieved 5 May 2025. https://www.thetimes.com/sunday-times-rich-list/profile/article/one-woman-band-vnngh22860r
Kelly, Cara; Lawler, Kelly (11 November 2016). "The best covers of Leonard Cohen's 'Hallelujah'". USA Today. Retrieved 4 December 2020. https://www.usatoday.com/story/life/entertainthis/2016/11/11/best-covers-leonard-cohens-hallelujah/93636800/
Davis, Johnny (3 June 2006). "One woman band". The Times. Retrieved 5 May 2025. https://www.thetimes.com/sunday-times-rich-list/profile/article/one-woman-band-vnngh22860r
Heap being referred to as a "download diva":
"Praise heaped on download diva". The Age. 2 May 2006. Retrieved 8 May 2025. Hailed as one of the first download divas, British singer Imogen Heap ... through a combination of Internet word-of-mouth, determination, desperation and a large slice of good luck ... has revived a career that was going nowhere fast.
Oinonen, Janne (2 May 2006). "Imogen Heap - 'Goodnight & Go'". Gigwise. Retrieved 8 May 2025. Heap, dubbed a 'download diva' for her huge online profile ...
Clarke, Betty (10 February 2006). "Imogen Heap: Scala, London". The Guardian. Retrieved 8 May 2025. Eccentric, emotive and deftly picking at the shiny bank of machines, Heap has the dubious honour of being the first download diva.
Dubrowa, Corey (27 August 2009). "Imogen Heap: Ellipse". Paste. Retrieved 12 May 2025. So-called 'Download Diva' continues musical exploration of the waking dream.
https://www.theage.com.au/entertainment/music/praise-heaped-on-download-diva-20060502-ge28ey.html
Benedict, David (12 November 2006). "Pool (No Water)". Variety. Retrieved 7 May 2025. https://variety.com/2006/legit/reviews/pool-no-water-1200512063/
Ravenhill, Mark (20 September 2006). "In at the deep end". The Guardian. Retrieved 6 May 2025. /wiki/Mark_Ravenhill
"MTVU Announces 2006 'MTVU Woodie Awards' Nominees". Hits. 12 September 2006. Retrieved 27 December 2020. https://hitsdailydouble.com/news&id=279161&title=mtvU-ANNOUNCES-2006-%E2%80%9CmtvU-WOODIE-AWARDS%E2%80%9D-NOMINEES
"Angels & Airwaves, Gnarls Barkley Lead Woodie Winners". Billboard. 26 October 2006. Retrieved 8 May 2025. https://www.billboard.com/music/music-news/angels-airwaves-gnarls-barkley-lead-woodie-winners-56842/
"4AD announces 'Plague Songs'". BrooklynVegan. 25 September 2006. Retrieved 4 December 2020. https://www.brooklynvegan.com/4ad-announces-p/
Gray, Louise (2 December 2006). "Plague Songs". New Internationalist. Retrieved 4 December 2020. https://newint.org/columns/media/music/2006/12/01/plague
Williams, Andrew (23 October 2006). "60 SECONDS: Imogen Heap". Metro. Retrieved 30 April 2008. https://metro.co.uk/2006/10/23/60-seconds-imogen-heap-301429/
Albertson, Cory (30 May 2007). "Imogen Heap". Paste. Retrieved 8 May 2025. https://www.pastemagazine.com/music/imogen-heap/imogen-heap
Shaffner, Jason (11 November 2006). "Imogen Heap". Being There. Retrieved 8 May 2025. http://beingtheremag.com/reviewlive.php?id=546&issue=21
Sweney, Mark (10 July 2007). "MySpace UK breaks 10m barrier". The Guardian. Retrieved 6 May 2025. https://www.theguardian.com/media/2007/jul/10/digitalmedia.myspace
"Reviews: Week of December 14, 2006". Newcity. 14 December 2006. Retrieved 6 May 2025. https://music.newcity.com/2006/12/14/reviews-week-of-december-14-2006/
"Imogen Heap playing NYC (The Box) & LA". BrooklynVegan. 12 February 2007. Retrieved 6 May 2025. https://www.brooklynvegan.com/imogen-heap-pla/
Walters, John L. (29 November 2007). "Jeff Beck". The Guardian. Retrieved 9 May 2025. https://www.theguardian.com/music/2007/nov/29/popandrock
Loar, Christel (5 April 2009). "Jeff Beck: Performing This Week...Live at Ronnie Scott's". PopMatters. Retrieved 8 January 2021. https://www.popmatters.com/jeff-beck-performing-this-week-live-at-ronnie-scotts-2496034643.html
Serck, Linda (22 May 2008). "Interview: Temposhark". BBC News. Retrieved 9 May 2025. https://www.bbc.co.uk/berkshire/content/articles/2008/05/22/temposhark_interview_feature.shtml
Lockie, Chris (20 June 2014). "10 London-Titled Albums Of Varying Quality". Londonist. Retrieved 9 May 2025. https://londonist.com/2014/06/10-london-titled-albums-of-varying-quality
Finn, Natalie (22 July 2008). "Sting, Matthews, Mayer Gamer for Tibet Than Beijing". E! News. Retrieved 14 May 2025. http://uk.eonline.com/uberblog/b147502_sting_matthews_mayer_gamer_tibet_beijing.html
Rudolph, Raj (3 December 2007). "Sneak Peak Of Imogen Heap's 'Not Now But Soon' for Heroes!". EQ Music. Retrieved 13 May 2025. https://eqmusicblog.com/sneak-peak-of-i/
Nordyke, Kimberly (28 February 2008). "Songs, videos keep 'Heroes' alive". The Hollywood Reporter. Associated Press. Retrieved 13 May 2025. https://www.hollywoodreporter.com/business/business-news/songs-videos-keep-heroes-alive-105781/
Shannon, Jeff (9 October 2008). ""Call + Response": A rough but impassioned call to end human trafficking". The Seattle Times. Retrieved 8 January 2021. https://www.seattletimes.com/entertainment/movies/call-response-a-rough-but-impassioned-call-to-end-human-trafficking/
"Imogen Heap: Ellipse". The Observer. 5 September 2009. Retrieved 13 May 2025. https://www.theguardian.com/music/2009/sep/06/imogen-heap-ellipse
Block, Melissa (1 September 2009). "Imogen Heap: Even The Kitchen Sink". NPR. Retrieved 9 May 2025. https://www.npr.org/transcripts/112440133
Young, Alex (16 July 2009). "Check Out: Imogen Heap - 'First Train Home'". Consequence. Retrieved 9 May 2025. https://consequence.net/2009/07/check-out-imogen-heap-first-train-home/
Sutherland, Mark (20 June 2009). "On the Fast Track". Billboard. pp. 24–26. Retrieved 11 May 2025. https://books.google.com/books?id=wBeEDJhw110C&pg=PA24
Stosuy, Brandon (23 July 2009). "New Imogen Heap Video – 'Canvas'". Stereogum. Retrieved 13 May 2025. https://www.stereogum.com/81041/new_imogen_heap_video_-_canvas/news/
Bascaramurty, Dakshana (1 September 2009). "Imogen Heap's tweet sound of success". The Globe and Mail. Retrieved 9 May 2025. https://www.theglobeandmail.com/arts/imogen-heaps-tweet-sound-of-success/article4284780/
Porter, Tom (9 July 2009). "Imogen Heap and Twitter fans halt eBay album leak". MusicRadar. Future plc. Retrieved 9 May 2025. https://www.musicradar.com/news/guitars/imogen-heap-and-twitter-fans-halt-ebay-album-leak-212510
"Talking Shop: Imogen Heap". BBC News. 20 October 2009. Retrieved 9 May 2025. http://news.bbc.co.uk/2/hi/entertainment/8315306.stm
Lyndal Martin, Eric (24 August 2009). "Imogen Heap: Ellipse". PopMatters. Retrieved 12 May 2025. https://www.popmatters.com/109814-imogen-heap-ellipse-2496069364.html
Gill, Andy (27 August 2009). "Album: Imogen Heap, Ellipse". The Independent. Retrieved 12 May 2025. https://www.the-independent.com/arts-entertainment/music/reviews/album-imogen-heap-ellipse-megaphonic-epic-1778134.html
Green, Thomas H. (24 August 2009). "Imogen Heap: Ellipse, CD review". The Telegraph. Retrieved 12 May 2025. https://www.telegraph.co.uk/culture/6056627/Imogen-Heap-Ellipse-CD-review.html
FitzSimons, Amanda (21 July 2009). "Girl Of Summer: Imogen Heap". WWD. Retrieved 9 May 2025. https://wwd.com/eye/lifestyle/girl-of-summer-imogen-heap-2217403/
Pareles, Jon (3 December 2009). "A 21st-Century Geek Getting Her Loop On". The New York Times. Retrieved 25 November 2020. /wiki/Jon_Pareles
"Imogen Heap: Recording Ellipse". Sound on Sound. Retrieved 19 January 2021. https://www.soundonsound.com/people/imogen-heap-recording-ellipse
Sutherland, Mark (20 June 2009). "On the Fast Track". Billboard. pp. 24–26. Retrieved 11 May 2025. https://books.google.com/books?id=wBeEDJhw110C&pg=PA24
Praise for Ellipse's eclecticism and electronic/natural elements:
Phares, Heather (21 July 2009). "Ellipse Review". AllMusic. Retrieved 12 May 2025. Ellipse is some of her most wide-ranging work, physically and musically speaking ... Heap takes listeners on a tour of characters and attitudes far more eclectic than her previous albums ... "Between Sheets" ... mixes romantic bliss and bubbly electronics so completely, it suggests her bed might be on a spaceship.
Sullivan, Caroline (13 August 2009). "Imogen Heap: Ellipse". The Guardian. Retrieved 12 May 2025. Ellipse is questing and musically inventive, using electronics as its foundation, but fleshing out the bleeps and clicks with everything from the chirp of jayhawks (on Little Bird) to an Indian flautist (Tidal) ... An understated vocalist, Heap sounds by turns warm and inviting and mistily detached ...
Liedel, Kevin (24 August 2009). "Review: Imogen Heap, Ellipse". Slant. Retrieved 13 May 2025. It is that exact lovestruck normalcy that makes Ellipse so endearing: Despite having a sound that seems as though it's been pieced together in a lab with microchips, Heap still wears a fuming, beating heart firmly on her sleeve.
Modell, Josh (August 2009). "Imogen Heap - Ellipse". Spin. p. 89. Retrieved 12 May 2025. Heap grafts her gorgeous voice to such a seamlessly slick mix of synthesized (and organic) sounds that it's a wonder her words stick at all. Her third studio album ... recall[s] the Postal Service's mix of the human and machinelike.
O'Hana, Tristan (12 August 2009). "Imogen Heap - 'Ellipse'". Gigwise. Retrieved 12 May 2025. The initial feel of the music washes over you with a slightly odd mix of African tribal tunes and Enya-like vocals. If you can begin to grasp that, then you might be able to imagine just what an eclectic mix of style Imogen is capable of producing.
https://www.allmusic.com/album/ellipse-mw0000823106
Criticism for Ellipse's sameness and sounding like Speak for Yourself:
Liedel, Kevin (24 August 2009). "Review: Imogen Heap, Ellipse". Slant. Retrieved 12 May 2025. ... Ellipse banally trips into regions already mined by Speak for Yourself.
Gill, Andy (28 August 2009). "Album: Imogen Heap, Ellipse". The Independent. Archived from the original on 29 August 2009. Retrieved 12 May 2025. Heap's musical style, meanwhile, hasn't progressed too much since 2005's Speak For Yourself ...
Murphy, John (23 August 2009). "Imogen Heap - Ellipse". MusicOMH. Retrieved 12 May 2025. Her third album, Ellipse, follows pretty squarely in the path of her previous releases ...there are far too many songs which sound similar to each other, sticking to the same, plodding mid-tempo feel ...
Young, Alex (23 August 2009). "Imogen Heap – Ellipse". Consequence. Retrieved 12 May 2025. Ellipse ... is a highly anticipated follow-up that shows an artist who is subconsciously afraid to depart too much from her most successful formula. [...] And seeing as much of this album sounds like it was plucked from her past discography ...
Koski, Genevieve (25 August 2009). "Imogen Heap: Ellipse". The A.V. Club. Retrieved 12 May 2025. The record's first two tracks ... try to compensate for their blandness with the sort of twinkling, echoing effects that should be familiar to anyone who heard Speak For Yourself (or anything by Heap's other outlet, Frou Frou) ... there's a monotonous stretch of sameness to obscure the album's scant life.
Knott- (19 August 2009). "Imogen Heap - Ellipse (album review 3)". Sputnikmusic. Retrieved 12 May 2025. ... there's a nagging feeling that there's only so much Heap can do without reaching for something more ambitious and varied. [...] It's a welcome and impressive addition to her back catalogue; it's just a shame that it doesn't feel like much more than that.
https://www.slantmagazine.com/music/imogen-heap-ellipse/
Critics remarking on lack of "Hide and Seek" moment on Ellipse:
Phares, Heather. "Ellipse Review". AllMusic. Retrieved 12 May 2025. Ellipse might not have a single moment as arresting as 'Hide and Seek' ...
Sullivan, Caroline (13 August 2009). "Imogen Heap: Ellipse". The Guardian. Retrieved 12 May 2025. This beguiling third album deserves to be her breakthrough moment, though the absence of an obvious Hide and Seek-style focal point may hinder its chances.
Fairclough, Hayley (24 August 2009). "Imogen Heap - Ellipse". DIY. Retrieved 12 May 2025. ... 'Ellipse' seems to lack a 'Hide and Seek'-like cult song ...
https://www.allmusic.com/album/ellipse-mw0000823106
Comparisons of Ellipse to Dido:
Murphy, John (23 August 2009). "Imogen Heap - Ellipse". MusicOMH. Retrieved 13 May 2025. ... the same, plodding mid-tempo feel ... sometimes bring[s] to mind a more inventive version of Dido.
Green, Thomas H. (24 August 2009). "Imogen Heap: Ellipse, CD review". The Telegraph. Retrieved 13 May 2025. Her third solo album is ... at its most tedious when embracing Dido-esque balladeering.
Mason, Kerri (14 August 2009). "Imogen Heap, 'Ellipse'". Billboard. Retrieved 13 May 2025. The opening track/lead single, 'First Train Home,' is her best shot yet at radio, with a dewy Dido electro-sheen but with more literate lyrics.
https://www.musicomh.com/reviews/albums/imogen-heap-ellipse
Caulfield, Keith (2 September 2009). "Colbie Caillat's No. 1, Miley Crashes Party On Billboard 200". Billboard. Retrieved 13 May 2025. https://www.billboard.com/music/music-news/colbie-caillats-no-1-miley-crashes-party-on-billboard-200-267524/
Nineham, Laura (4 November 2009). "Back Full Circle - Imogen Heap". Gigwise. Retrieved 13 May 2025. https://www.gigwise.com/features/53301/Back-Full-Circle---Imogen-Heap/
"Who is Imogen Heap?". Official Charts Company. Retrieved 16 June 2025. https://www.officialcharts.com/artist/1700/imogen-heap/
Comingore, Aly (6 November 2009). "Imogen Heap Brings Ellipse to Lobero". Santa Barbara Independent. Retrieved 13 May 2025. https://www.independent.com/2009/11/06/imogen-heap-brings-ellipse-lobero/
Liss, Sarah (10 September 2009). "Making connections". CBC News. Retrieved 13 June 2025. https://www.cbc.ca/news/entertainment/making-connections-1.801795
Howard, George (17 July 2015). "Imogen Heap's Mycelia: An Artists' Approach for a Fair Trade Music Business, Inspired by Blockchain". Forbes. Retrieved 4 December 2020. https://www.forbes.com/sites/georgehoward/2015/07/17/imogen-heaps-mycelia-an-artists-approach-for-a-fair-trade-music-business-inspired-by-blockchain/?sh=67a35eca4969
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