Satyr

In <a href="/facts/Greek_mythology/M7k4FvW8">Greek mythology</a>, a satyr , also known as a silenus or silenos (<a href="/facts/Ancient_Greek_language/LIK7NlUh">Ancient Greek</a>: σειληνός, <a href="/facts/Romanization_of_Ancient_Greek/KTELT9Aq">romanized</a>: seilēnós [seːlɛːnós]), and sileni (plural), is a male <a href="/facts/List_of_nature_deities/yPEj9UJc">nature spirit</a> with ears and a tail resembling those of a horse, as well as a permanent, exaggerated <a href="/facts/Erection/4vSHr1tU">erection</a>. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their <a href="/facts/Ribaldry/AQdXvQ5b">ribaldry</a> and were known as lovers of wine, music, dancing, and women. They were companions of the god <a href="/facts/Dionysus/4kBSl2Kp">Dionysus</a> and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape <a href="/facts/Nymph/IfccICyh">nymphs</a> and mortal women alike, usually with little success. They are sometimes shown <a href="/facts/Masturbation/7uGXPrVc">masturbating</a> or engaging in <a href="/facts/Bestiality/A9JYUjGg">bestiality</a>.
In <a href="/facts/Classical_Athens/a3b6Hpbw">classical Athens</a>, satyrs made up the <a href="/facts/Greek_chorus/867Huqyl">chorus</a> in a genre of play known as a "<a href="/facts/Satyr_play/19jUAlqa">satyr play</a>", which was a parody of <a href="/facts/Greek_tragedy/4P3clg5x">tragedy</a> and known for its bawdy and obscene humor. The only complete surviving play of this genre is <a href="/facts/Cyclops_(play)/Rh6qNkyE">Cyclops</a> by <a href="/facts/Euripides/L2G3RyGY">Euripides</a>, although a significant portion of <a href="/facts/Sophocles/5C4zjFU8">Sophocles</a>'s <a href="/facts/Ichneutae/EGWjM51S">Ichneutae</a> has also survived. In mythology, the satyr <a href="/facts/Marsyas/cpvFXgEY">Marsyas</a> is said to have challenged the god <a href="/facts/Apollo/eBJV1wsJ">Apollo</a> to a musical contest and been <a href="/facts/Flaying/D555cplH">flayed alive</a> for his <a href="/facts/Hubris/f5Uge6wz">hubris</a>. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr <a href="/facts/Silenus/rdvd7u16">Silenus</a> was the tutor of the young Dionysus and a story from <a href="/facts/Ionia/aozeldtI">Ionia</a> told of a silenos who gave sound advice when captured.
Over the course of Greek history, satyrs gradually became portrayed as more human and less bestial. They also began to acquire goat-like characteristics in some depictions as a result of conflation with the Pans, plural forms of the god <a href="/facts/Pan_(god)/sVpk5MrJ">Pan</a> with the legs and horns of goats. The Romans identified satyrs with their native nature spirits, <a href="/facts/Faun/Vgd91lqc">fauns</a>. Eventually the distinction between the two was lost entirely. Since the <a href="/facts/Renaissance/4D9Bc6KU">Renaissance</a>, satyrs have been most often represented with the legs and horns of goats. Representations of satyrs cavorting with nymphs have been common in western art, with many famous artists creating works on the theme. Since the beginning of the twentieth century, satyrs have generally lost much of their characteristic obscenity, becoming more tame and domestic figures. They commonly appear in works of <a href="/facts/Fantasy_literature/nYHRllzw">fantasy</a> and <a href="/facts/Children%27s_literature/ggVfDDVo">children's literature</a>, in which they are most often referred to as "fauns".

Satyr open-in-new

Satyr