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Meisner technique
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<h2 id="components">Components</h2> <p>Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of <a href="/facts/Drama/CGzetWvp">dramatic text</a>. Students work on a series of progressively complex exercises to develop an ability to first <a href="/facts/Improvisation/q5Sy56fd">improvise</a>, then to access an emotional life, and finally to bring the spontaneity of improvisation and the richness of personal response to textual work.<a class="footnote-ref" id="fnref:2" href="#fn:2"><sup>2</sup></a> The techniques developed the behavioral strand of <a href="/facts/Konstantin_Stanislavski/r3pbM2WC">Stanislavski's</a>. The technique is used to develop improvisation skills as well as "interpreting a script, and creating the specific physical characteristics of each character the actor played".<a class="footnote-ref" id="fnref:3" href="#fn:3"><sup>3</sup></a> </p><p>An example of a technique Meisner invented to train actors' responses is called the Repetition Exercise: </p> <p>In this exercise, two actors sit across from each other and respond to each other through a repeated phrase. Initially, the phrase refers to an external physical characteristic such as "You're wearing a red shirt." As the exercise progresses, it becomes more about each other's behavior, and reflects what is going on between them in the moment, such as "You look unhappy with me right now." The way this phrase is said as it is repeated changes in meaning, tone and intensity to correspond with the behavior that each actor produces towards the other. Through this device, the actor stops thinking of what to say and do, and responds more freely and spontaneously, both physically and vocally. The exercise also eliminates line readings, since the way the actor speaks becomes coordinated with his behavioral response.<a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a></p> <h2 id="about-meisner">About Meisner</h2> <p><a href="/facts/Sanford_Meisner/HXFJJz5R">Sanford Meisner</a> began developing his approach to acting technique while working with the <a href="/facts/Group_Theatre_(New_York_City)/twIk4hYK">Group Theatre</a> alongside director <a href="/facts/Lee_Strasberg/86cM87M0">Lee Strasberg</a> and actress <a href="/facts/Stella_Adler/CHUFBuMJ">Stella Adler</a>. He continued developing his approach over the next fifty years while working with actors as head of the acting program at <a href="/facts/New_York_City/YlyvFmVC">New York City</a>'s <a href="/facts/Neighborhood_Playhouse_School_of_the_Theatre/yNccDGSk">Neighborhood Playhouse School of the Theatre</a> as well as while training actors in his private classes outside the Neighborhood Playhouse. During his lifetime he continued working toward a refinement in his ideas toward acting and in his approach to training actors, dropping some exercises he considered to be less effective along the way, while adding new ones he created to help solve the actor's problems in learning the craft. </p> <p>In 1935, Sanford Meisner, one of the founding members of The Group Theatre (along with Stella Adler, Bobby Lewis, Harold Clurman, and Lee Strasberg), joined the faculty of The Neighborhood Playhouse. Over the years, he developed and refined what is now known as the Meisner Technique, a step-by-step procedure of self-investigation for the actor now globally recognized and among the foremost of modern acting techniques.<a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a></p> <p>Meisner believed that the study of the actor's craft was rooted in acquiring a solid organic acting technique. It was a cornerstone of his teaching that this learning process occur not in a theoretical, abstract manner, but in the practical give and take of the classroom, where as he once said, "the students struggled to learn what I struggled to teach." Through that struggle the gifted student, over time gradually begins to emerge solidly in his or her work.<a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a></p> <p>In 1980, a group of his alumni got together to preserve his teachings for future generations. Sydney Pollack directed a master class taught by Sanford Meisner. It was transferred to digital film in 2006.<a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> </p><p>Meisner set out his approach to actor training in a co-authored book that offers a fly-on-the-wall view of his teaching practice, <i>Sanford Meisner: On Acting</i> (1987).<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a> More recent historical research documents his early career as a classical pianist, studying at the precursor to the Juilliard School.<a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> Several sources suggest that his musical training led Meisner to emphasise listening as the guiding principle for an actor throughout Meisner Technique.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a><a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> A biography published in 2017 offers insight into Meisner's later life with his partner James Carville and their adopted son Boolu.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a> </p> <h2 id="practitioners">Practitioners</h2> <p>The Neighborhood Playhouse was originally founded as an off-Broadway theatre by philanthropists <a href="/facts/Alice_Lewisohn/gWAcYrRM">Alice</a> and <a href="/facts/Irene_Lewisohn/nfqJLSzE">Irene Lewisohn</a> in 1915. After closing in 1927, it re-opened the following year as the <i>Neighborhood Playhouse School of the Theatre</i>, with the addition of Rita Wallach Morgenthau. Sanford Meisner, who was one of the founding members of the Group Theatre (along with Stella Adler, Bobby Lewis, Harold Clurman, and Lee Strasberg), joined the faculty of the Neighborhood Playhouse in 1935. Over the years, he developed and refined what is now known as the Meisner Technique.<a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> On October 18, 2018, the New York City Council officially recognized the 90th anniversary of the Neighborhood Playhouse, and Meisner's contributions to the school, with an official Proclamation.<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> </p><p>The <a href="/facts/William_Esper_Studio/BvB8SC1o">William Esper Studio</a> was founded in 1965 as a school for the <a href="/facts/Performing_arts/997Eb6IL">performing arts</a> in <a href="/facts/Manhattan/fF9JeXjh">Manhattan</a>, <a href="/facts/New_York_(state)/mnl67G1G">New York</a>. Its founder, William "Bill" Esper (1932–2019), is occasionally referred to as the best-known of Meisner's first generation teachers.<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a> </p> <h2 id="list-of-meisner-trained-actors">List of Meisner-trained actors</h2> <p>Actors who have trained in the Meisner technique include: </p> <ul><li><a href="/facts/Alex_Essoe/gSmXfag7">Alex Essoe</a><a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a></li> <li><a href="/facts/Alexandra_Daddario/qQvBNJgK">Alexandra Daddario</a><a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a></li> <li><a href="/facts/Amanda_Setton/MDpbp9NJ">Amanda Setton</a><a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a></li> <li><a href="/facts/Amy_Schumer/WPHPo3C7">Amy Schumer</a><a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a></li> <li><a href="/facts/Carrie-Anne_Moss/bQBmVKws">Carrie-Anne Moss</a><a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a></li> <li><a href="/facts/Chad_Willett/YqDV145C">Chad Willett</a><a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a></li> <li><a href="/facts/Chadwick_Boseman/tpyv6n36">Chadwick Boseman</a><a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a></li> <li><a href="/facts/Christoph_Waltz/uls2YUBP">Christoph Waltz</a><a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a></li> <li><a href="/facts/Christopher_Meloni/QPkBr1MQ">Christopher Meloni</a><a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a></li> <li><a href="/facts/Diane_Keaton/2ELD44Gt">Diane Keaton</a><a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a></li> <li><a href="/facts/Ed_Speleers/56Hr9Gl9">Ed Speleers</a><a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a></li> <li><a href="/facts/Grace_Kelly/CGfyeRUk">Grace Kelly</a><a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a></li> <li><a href="/facts/Griffin_Dunne/Muesc3zm">Griffin Dunne</a><a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a></li> <li><a href="/facts/James_Gandolfini/CRFAHWkD">James Gandolfini</a><a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a></li> <li><a href="/facts/Jeff_Kober/A8KQRDuu">Jeff Kober</a><a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a></li> <li><a href="/facts/Jeff_Goldblum/NroQz9KN">Jeff Goldblum</a><a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a></li> <li><a href="/facts/Joakim_N%C3%A4tterqvist/5XC71dm2">Joakim Nätterqvist</a><a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a></li> <li><a href="/facts/Jon_Voight/V1Ngxztr">Jon Voight</a><a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a></li> <li><a href="/facts/Karl_Urban/3fyL1377">Karl Urban</a><a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a></li> <li><a href="/facts/Keiko_Agena/5PxjDt3f">Keiko Agena</a><a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a><a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a></li> <li><a href="/facts/Maria_Pitillo/nzbBGDSh">Maria Pitillo</a><a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a></li> <li><a href="/facts/Mark_Rydell/JHpIRoCX">Mark Rydell</a><a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a></li> <li><a href="/facts/Mary_Steenburgen/FQKhAgCQ">Mary Steenburgen</a><a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a></li> <li><a href="/facts/Michael_Par%C3%A9/bNFgER0j">Michael Paré</a><a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a></li> <li><a href="/facts/Michelle_Meyrink/3KqLVcRo">Michelle Meyrink</a><a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a></li> <li><a href="/facts/Milo_McCabe/6e46xrGg">Milo McCabe</a><a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a></li> <li><a href="/facts/Naomi_Watts/GeSosW7o">Naomi Watts</a><a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a></li> <li><a href="/facts/Natasha_Negovanlis/JGuBk1jk">Natasha Negovanlis</a><a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a></li> <li><a href="/facts/Nawazuddin_Siddiqui/4xEC1MQF">Nawazuddin Siddiqui</a><a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a></li> <li><a href="/facts/Pankit_Thakker/nhs3gecG">Pankit Thakker</a></li> <li><a href="/facts/N%C3%A9stor_Carbonell/r5Iqn5Mf">Néstor Carbonell</a><a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a></li> <li><a href="/facts/Robert_Duvall/rgwQgqMv">Robert Duvall</a><a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a></li> <li><a href="/facts/Sam_Rockwell/foXnUXzz">Sam Rockwell</a><a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a></li> <li><a href="/facts/Sandra_Peabody/dW1bV7bo">Sandra Peabody</a><a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a></li> <li><a href="/facts/Sebastian_Stan/0Be0Fqyu">Sebastian Stan</a><a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a></li> <li><a href="/facts/Shaun_Benson/24KBsjzJ">Shaun Benson</a><a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a></li> <li><a href="/facts/Stephen_Colbert/fGWeXBvT">Stephen Colbert</a><a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a></li> <li><a href="/facts/Sydney_Pollack/Yq9XJPg1">Sydney Pollack</a><a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a></li> <li><a href="/facts/Tatiana_Maslany/huToHrtN">Tatiana Maslany</a><a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a></li> <li><a href="/facts/Tom_Cruise/kBgAITKE">Tom Cruise</a><a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a></li> <li><a href="/facts/Wil_Wheaton/YWRoGrl0">Wil Wheaton</a><a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a></li></ul> <h2 id="see-also">See also</h2> <ul><li><a href="/facts/List_of_acting_techniques/UejCtta9">List of acting techniques</a></li></ul> <h2 id="general-references">General references</h2> <ul><li>Banham, Martin, ed. 1998. <i>The Cambridge Guide to Theatre.</i> Cambridge: Cambridge UP. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0-521-43437-8.</li> <li>Courtney, C. C. 2000. "The Neighborhood Playhouse." In Krasner (2000b, 291-295).</li> <li>Hirsch, Foster. 2000. "Actors and Acting." In Wilmeth and Bigsby (2000, 490-513).</li> <li>Hodge, Alison, ed. 2000. <i>Twentieth Century Actor Training</i>. London and New York: Routledge. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0-415-19452-0.</li> <li>Kraner, David. 2000a. "Strasberg, Adler and Meisner: Method Acting." In Hodge (2000, 129-150).</li> <li>---, ed. 2000b. <i>Method Acting Reconsidered: Theory, Practice, Future.</i> New York: St. Martin's P. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-312-22309-0.</li> <li>Longwell, Dennis, and Sanford Meisner. 1987. <i>Sanford Meisner on Acting.</i> New York: Random House. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-394-75059-0.</li> <li>Postlewait, Thomas. 1998. "Meisner, Sanford." In Banham (1998, 719).</li> <li>Wilmeth, Don B, and Christopher Bigsby, eds. 2000. <i>The Cambridge History of American Theatre.</i> Vol 3. Cambridge and New York: Cambridge UP. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-521-66959-7.</li></ul> <h2 id="external-links">External links</h2> <ul><li><a href="https://www.imdb.com/name/nm0577073/">Sanford Meisner</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a></li> <li><a href="https://www.themeisnercenter.com/">The Sanford Meisner Center</a></li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Foster, Hirsch (2000). Actors and Acting (Hardcover ed.). Cambridge University Press. ISBN 978-0-521-66959-7. Retrieved September 17, 2015. <a href="978-0-521-66959-7" target="_blank">978-0-521-66959-7</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>"Compagnie AZOT — Méthode Meisner". www.cie-azot.com (in French). Retrieved November 28, 2018. <a href="https://en.cie-azot.com/methode-meisner/" target="_blank">https://en.cie-azot.com/methode-meisner/</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>"About the Meisner Acting Technique". Robert Epstein's Acting Studio. Robert Epstein and the Complete Meisner-Based Actor's Training. Retrieved September 18, 2015. <a href="http://www.completeactorstraining.com/about.html" target="_blank">http://www.completeactorstraining.com/about.html</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>"About the Meisner Acting Technique". Robert Epstein's Acting Studio. Robert Epstein and the Complete Meisner-Based Actor's Training. Retrieved September 18, 2015. <a href="http://www.completeactorstraining.com/about.html" target="_blank">http://www.completeactorstraining.com/about.html</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>"About Us". Neighborhood Playhouse. Neighborhood Playhouse School of the Theatre. Retrieved September 18, 2015. <a href="http://neighborhoodplayhouse.org/about/our-history" target="_blank">http://neighborhoodplayhouse.org/about/our-history</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li> <li id="fn:6"><p>"About Us". Neighborhood Playhouse. Neighborhood Playhouse School of the Theatre. Retrieved September 18, 2015. <a href="http://neighborhoodplayhouse.org/about/our-history" target="_blank">http://neighborhoodplayhouse.org/about/our-history</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></p></li> <li id="fn:7"><p>Center, The Sanford Meisner. "Watch the Master himself…". The Sanford Meisner Center. Retrieved August 2, 2024. <a href="https://www.themeisnercenter.com/video.html" target="_blank">https://www.themeisnercenter.com/video.html</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li> <li id="fn:8"><p>Meisner, Sanford; Longwell, Dennis (1987). Sanford Meisner: On Acting. New York: Vintage. <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li> <li id="fn:9"><p>Davidson, Andrew (January 2, 2023). "The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics". Theatre, Dance and Performance Training. 14 (1): 5–23. doi:10.1080/19443927.2022.2152483. <a href="https://doi.org/10.1080%2F19443927.2022.2152483" target="_blank">https://doi.org/10.1080%2F19443927.2022.2152483</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li> <li id="fn:10"><p>Adair, Aaron (2005). Analyzing and Applying the Sanford Meisner Approach to Acting. University of Texas. <a href="#fnref:10" class="footnote-back-ref">↩</a></p></li> <li id="fn:11"><p>Davidson, Andrew (January 2, 2023). "The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics". Theatre, Dance and Performance Training. 14 (1): 5–23. doi:10.1080/19443927.2022.2152483. <a href="https://doi.org/10.1080%2F19443927.2022.2152483" target="_blank">https://doi.org/10.1080%2F19443927.2022.2152483</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></p></li> <li id="fn:12"><p>Carville, James; Trost, Scott Tilma. De Tree a We: The Remarkable Lives of Sanford Meisner, James Carville and Boolu. New York: GR8 Books. <a href="#fnref:12" class="footnote-back-ref">↩</a></p></li> <li id="fn:13"><p>"About Us". Neighborhood Playhouse. Neighborhood Playhouse School of the Theatre. Retrieved September 18, 2015. <a href="http://neighborhoodplayhouse.org/about/our-history" target="_blank">http://neighborhoodplayhouse.org/about/our-history</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></p></li> <li id="fn:14"><p>"CM Kallos Awards Proclamation to the Neighborhood Playhouse School of the Theatre". Kallos.nyc. NY for Kallos. October 18, 2018. Archived from the original on May 24, 2019. Retrieved July 13, 2019. <a href="https://web.archive.org/web/20190524192825/https://kallos.nyc/video/cm-kallos-awards-proclamation-neighborhood-playhouse-school-theatre" target="_blank">https://web.archive.org/web/20190524192825/https://kallos.nyc/video/cm-kallos-awards-proclamation-neighborhood-playhouse-school-theatre</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></p></li> <li id="fn:15"><p>Susan Coromel (2009). "The Actor's Art and Craft (review)" (PDF). Theatre Topics. 19. The Johns Hopkins University Press: 109–110. doi:10.1353/tt.0.0058. S2CID 191606935. Retrieved September 19, 2015. <a href="http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/theatre_topics/v019/19.1.coromel.pdf" target="_blank">http://muse.jhu.edu/login?auth=0&type=summary&url=/journals/theatre_topics/v019/19.1.coromel.pdf</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></p></li> <li id="fn:16"><p>Alex Essoe - Burning Down the Overlook, retrieved August 22, 2023 <a href="https://www.youtube.com/watch?v=o2RNwc57mE8" target="_blank">https://www.youtube.com/watch?v=o2RNwc57mE8</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></p></li> <li id="fn:17"><p>Wallace, Chris (June 2014). "Alexandra Daddario". Interview. Retrieved March 3, 2015. <a href="http://www.interviewmagazine.com/film/alexandra-daddario" target="_blank">http://www.interviewmagazine.com/film/alexandra-daddario</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></p></li> <li id="fn:18"><p>"Between Takes at CBS — Amanda Setton". CBS. 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It happened in an acting class with a teacher, Sandy Marshall — she teaches Meisner. <a href="https://www.nytimes.com/2021/12/22/movies/carrie-anne-moss-matrix-resurrections.html" target="_blank">https://www.nytimes.com/2021/12/22/movies/carrie-anne-moss-matrix-resurrections.html</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></p></li> <li id="fn:21"><p>"Chad Willett - Filmbug". <a href="https://www.filmbug.com/db/345403" target="_blank">https://www.filmbug.com/db/345403</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></p></li> <li id="fn:22"><p>Norton, Graham (host) (November 8, 2019). "The Graham Norton Show". The Graham Norton Show. Series 26. Episode 07. BBC One. <a href="https://www.bbc.co.uk/programmes/m000b272" target="_blank">https://www.bbc.co.uk/programmes/m000b272</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></p></li> <li id="fn:23"><p>Christoph Waltz — Dill Pickle. YouTube. Archived from the original on December 21, 2021. 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