The Codex Manesse is an anthology of the works of a total of about 1357 minnesingers of the mid 12th to early 14th century. For each poet, a portrait is shown, followed by the text of their works.8 The entries are ordered approximately by the social status of the poets, starting with the Holy Roman Emperor Henry VI, Kings Conradin and Wenceslaus II, down through dukes, counts and knights, to the commoners.
Most of the poems are Minnesang, but there are also other genres, including fables and Spruchdichtung (didactic poems).
The oldest poets represented in the manuscript had been dead for more than a century at the time of its compilations, while others were contemporaries, the latest even late additions of poems written during the early 14th century.
In the portraits, some of the nobles are shown in full armour in their heraldic colors and devices (therefore with their faces hidden), often shown as taking part in a joust, or sometimes in single combat with sword and shield, and sometimes in actual battle.
Some images are motivated by the biography of the person depicted, but some designs just draw their motif from the poet's name (thus, Dietmar is shown riding a mule, since his name can be interpreted as meaning people's horse),9 while others draw on imagery from their lyrics (Walther von der Vogelweide is shown in a thoughtful pose which exactly matches the description of himself in one of his most famous songs).
The compilation of the codex was patronized by the Manesse family of Zürich, presumably by Rüdiger II Manesse (born before 1252, died after 1304). The house of Manesse declined in the late 14th century, selling their castle in 1393. The fate of the codex during the 15th century is unknown, but by the 1590s it had passed into possession of baron Johann Philipp of Hohensax (two of whose forebears are portrayed in the codex, on foll. 48v and 59v). In 1604, Melchior Goldast published excerpts of its didactic texts.
After 1657 it was in the French royal library, from which it passed to the Bibliothèque Nationale, where the manuscript was studied by Jacob Grimm in 1815. In 1888, after long bargaining, it was sold to the Bibliotheca Palatina of Heidelberg, following a public subscription headed by William I and Otto von Bismarck.
The first critical editions of the Codex Manesse appeared in the early nineteenth century. The codex is frequently referred to by Minnesang scholars and in editions simply by the abbreviation C, introduced by Karl Lachmann, who used A and B for the two main earlier Minnesang codices (the Kleine Heidelberger Liederhandschrift and the Weingartner Liederhandschrift respectively).
Two leaves of a 15th-century copy of the manuscript, called the Troßsche Fragment (Tross Fragment), which were held in the Berlin State Library but went missing in 1945,10 are now in the Jagiellonian Library in Kraków (Berol. mgq 1146).11
The possibility that the compiler was the Minnesinger Johannes Hadlaub provided the subject of a poetic novella, Hadlaub (in the Züricher Novellen, 1878), by Gottfried Keller.
German: Great Heidelberg Song Manuscript, Heidelberg, University of Heidelberg Library, Codex Palatinus Germanicus 848 /wiki/Heidelberg ↩
Koschorreck and Werner 1981 discern no fewer than eleven scribes, some working simultaneously, in the production. ↩
Ingeborg Glier, reviewing Koschorreck and Werner 1981 in Speculum 59.1 (January 1984), p. 169. The only other contemporary illuminated song book is the Weingarten Manuscript, once thought to have been a model for the Codex Manesse. /wiki/Weingarten_Manuscript ↩
"Codex Manesse". Heidelberg University Library. Heidelberg University. Retrieved 11 March 2023. https://www.ub.uni-heidelberg.de/Englisch/allg/benutzung/bereiche/handschriften/codexmanesse.html ↩
"Codex Manesse Admitted to UNESCO World Documentary Heritage". Informationsdienst Wissenschaft – Nachrichten (in German). 18 May 2023. Retrieved 18 May 2023. https://idw-online.de/de/news814546 ↩
"UNESCO-Weltdokumentenerbe Codex Manesse". Deutsche UNESCO-Kommission (in German). Retrieved 18 May 2023. https://www.unesco.de/kultur-und-natur/weltdokumentenerbe/weltdokumentenerbe-deutschland/codex-manesse ↩
the exact number is debatable; of a total of 140 entries, some are clearly of fictional characters, as in "Klingsor of Hungary" and "King Tyro of Scotland", while others may or may not be fictional, as in "Der Winsbeke", "Die Winsbekin". Yet other entries may feature historical poets but combine poems by several authors. ↩
Cotter, Hayley. "Between Recto and Verso: The Use of Blanks and a Theory of Authorship in the Codex Manesse". Retrieved 3 December 2017.[permanent dead link] https://www.academia.edu/33406117 ↩
ZAPF., GUNTER BUTZER; KATJA SARKOWSKY; HUBERT (2020). Große Werke der Literatur XV (in German). NARR FRANCKE ATTEMPTO VER. p. 12. ISBN 978-3-7720-5705-2. OCLC 1176251040. Dietmar...could be conceivable...as a people's horse, specifically the donkey{{cite book}}: CS1 maint: multiple names: authors list (link) 978-3-7720-5705-2 ↩
Des Minnesangs Frühling, ed. H. Moser and H. Tervooren, Stuttgart 1977, Vol II, pp. 47f. ↩
"Handschriftenbeschreibung 11787". Handschriftencensus. Retrieved 29 October 2023. https://handschriftencensus.de/11787 ↩