Romanesque Revival architecture

<h2 id="the-romanesque-revival-or-norman-revival-in-great-britain">The Romanesque Revival or Norman Revival in Great Britain</h2>

See also: <a href="/facts/Romanesque_Revival_architecture_in_the_United_Kingdom/NSTjVXWs">Romanesque Revival architecture in the United Kingdom</a>
The development of the Norman revival style took place over a long time in the British Isles, starting with <a href="/facts/Inigo_Jones/Yc5NeAgy">Inigo Jones</a>'s refenestration of the White Tower of the <a href="/facts/Tower_of_London/D80dKXrh">Tower of London</a> in 1637–38 and work at Windsor Castle by <a href="/facts/Hugh_May/Dvdknn4l">Hugh May</a> for King <a href="/facts/Charles_II_of_England/Acc7cFtF">Charles II</a>, but this was little more than restoration work. In the 18th century, the use of round arched windows was thought of as being <a href="/facts/Saxon/mqm06m4r">Saxon</a> rather than Norman, and examples of buildings with round arched windows include <a href="/facts/Shirburn_Castle/0aXrbRXH">Shirburn Castle</a> in Oxfordshire, Wentworth in Yorkshire, and <a href="/facts/Enmore_Castle/vu9cpXpL">Enmore Castle</a> in Somerset. In Scotland the style started to emerge with the Duke of Argyl's castle at <a href="/facts/Inverary/K46Lnsxz">Inverary</a>, started in 1744, and castles by <a href="/facts/Robert_Adam/Qu9nqvTo">Robert Adam</a> at <a href="/facts/Culzean/GMJjd68E">Culzean</a> (1771), Oxenfoord (1780–82), Dalquharran, (1782–85) and <a href="/facts/Seton_Palace/vytDsFA9">Seton Palace</a>, 1792. In England <a href="/facts/James_Wyatt/W5axhUcR">James Wyatt</a> used round arched windows at <a href="/facts/Sandleford_Priory_(monastery)/d3XJNAyu">Sandleford Priory</a>, Berkshire, in 1780–89 and the Duke of Norfolk started to rebuild <a href="/facts/Arundel_Castle/k2SJD7lU">Arundel Castle</a>, while <a href="/facts/Eastnor_Castle/6WvR9uFj">Eastnor Castle</a> in Herefordshire was built by <a href="/facts/Robert_Smirke_(architect)/QMWeGjNz">Robert Smirke</a> between 1812 and 1820.<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a>
At this point, the Norman Revival became a recognisable architectural style. In 1817, <a href="/facts/Thomas_Rickman/LGrQP7K9">Thomas Rickman</a> published his An Attempt to Discriminate the Styles of English Architecture from the Conquest To the Reformation. It was now realised that 'round-arch architecture' was largely Romanesque in the British Isles and came to be described as Norman rather than Saxon.<a class="footnote-ref" id="fnref:6" href="#fn:6">6</a> The start of an "archaeologically correct" Norman Revival can be recognised in the architecture of <a href="/facts/Thomas_Hopper_(architect)/yfSbNeI0">Thomas Hopper</a>. His first attempt at this style was at <a href="/facts/Gosford_Castle/fEDoQ5Mf">Gosford Castle</a> in Armagh in Ireland, but far more successful was his <a href="/facts/Penrhyn_Castle/EnRCAS6H">Penrhyn Castle</a> near Bangor in North Wales. This was built for the Pennant family, between 1820 and 1837. The style did not catch on for domestic buildings, though many country houses and mock castles were built in the Castle Gothic or Castellated style during the Victorian period, which was a mixed Gothic style.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a>
However, the Norman Revival did catch on for church architecture. <a href="/facts/Thomas_Penson/cFDnDqUS">Thomas Penson</a>, a Welsh architect, would have been familiar with Hopper's work at Penrhyn, who developed Romanesque Revival church architecture. Penson was influenced by French and Belgian Romanesque Revival architecture, and particularly the earlier Romanesque phase of German <a href="/facts/Brick_Gothic/0jhRtRDf">Brick Gothic</a>. At St David's Newtown, 1843–47, and St Agatha's Llanymynech, 1845, he copied the tower of <a href="/facts/St._Salvator%2527s_Cathedral/ElvQvVTc">St. Salvator's Cathedral</a>, Bruges. Other examples of Romanesque revival by Penson are <a href="/facts/Christ_Church%2c_Welshpool/9BXnp3P9">Christ Church, Welshpool</a>, 1839–1844, and the porch to Langedwyn Church. He was an innovator in his use of <a href="/facts/Terracotta/Yze0TnSH">Terracotta</a> to produce decorative Romanesque mouldings, saving on the expense of stonework.<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> Penson's last church in the Romanesque Revival style was <a href="/facts/Rhosllannerchrugog/30Wkx4b6">Rhosllannerchrugog</a>, Wrexham, 1852.<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a>
The Romanesque adopted by Penson contrasts with the Italianate Romanesque of other architects such as <a href="/facts/Thomas_Henry_Wyatt/6HTFJ2NT">Thomas Henry Wyatt</a>, who designed Saint Mary and Saint Nicholas Church, in this style at <a href="/facts/Wilton%2c_Wiltshire/xMzSmJvq">Wilton</a>, which was built between 1841 and 1844 for the Dowager Countess of Pembroke and her son, Lord Herbert of Lea.<a class="footnote-ref" id="fnref:10" href="#fn:10">10</a> During the 19th century, the architecture selected for Anglican churches depended on the churchmanship of particular congregations. Whereas high churches and <a href="/facts/Anglo-Catholic/pv3CQqf8">Anglo-Catholic</a>, which were influenced by the <a href="/facts/Oxford_Movement/I00FTYMk">Oxford Movement</a>, were built in <a href="/facts/Gothic_Revival_architecture/gWJmqCH1">Gothic Revival architecture</a>, low churches and broad churches of the period were often built in the Romanesque Revival style. Some of the later examples of this Romanesque Revival architecture is seen in Non-conformist or <a href="/facts/Dissenter/m1e4b0pd">Dissenting</a> churches and chapels. A good example of this is by the Lincoln architects <a href="/facts/Michael_Drury/NPbrTfPf">Drury and Mortimer</a>, who designed the Mint Lane Baptist Chapel in Lincoln in a debased Italianate Romanesque revival style in 1870.<a class="footnote-ref" id="fnref:11" href="#fn:11">11</a> After about 1870, this style of Church architecture in Britain disappears, but in the early 20th century, the style is succeeded by <a href="/facts/Byzantine_Revival_architecture/CgNjGfqE">Byzantine Revival architecture</a>.
A notable exception to this decline was <a href="/facts/Our_Lady_of_Grace_Church%2c_Charlton/IDAa8Vwe">Our Lady of Grace Church, Charlton</a> (1905-1906), built by French architect Eugène-Jacques Gervais for the exiled <a href="/facts/Religious_of_the_Assumption/62HWdars">Sisters of the Assumption</a>. The church represents a rare example of authentic Continental Neo-Romanesque tradition transplanted to Britain during the French religious exile of 1901-1914, when approximately 30,000 French religious were forced into exile by anti-clerical legislation. Built of stock brick with stone dressings, the church features a five-bay nave with barrel vault and Corinthian columns with <a href="/facts/Scagliola/QUVoIDx2">scagliola</a> shafts, demonstrating how diaspora communities preserved their architectural heritage while adapting to British contexts.<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a>

<h2 id="canada">Canada</h2>
Two of Canada's provincial legislatures, the <a href="/facts/Ontario_Legislative_Building/KUVXanLs">Ontario Legislative Building</a> in <a href="/facts/Toronto/cnXH7881">Toronto</a> and the <a href="/facts/British_Columbia_Parliament_Buildings/25CEnwTo">British Columbia Parliament Buildings</a> in <a href="/facts/Victoria%2c_British_Columbia/5bKrLfN2">Victoria</a>, are Romanesque Revival in style.
<a href="/facts/University_College%2c_Toronto/e2vyqW81">University College</a>, one of seven colleges at the <a href="/facts/University_of_Toronto/FpGjQNm9">University of Toronto</a>, is an example of the Romanesque Revival style.<a class="footnote-ref" id="fnref:13" href="#fn:13">13</a> Construction of the final design began on 4 October 1856.<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a>

<h2 id="sweden">Sweden</h2>
The <a href="/facts/Vasa_Church%2c_Gothenburg/C81kG2jS">Vasa Church</a> in <a href="/facts/Gothenburg/oj5t3USI">Gothenburg</a>, Sweden, is another prime example of the Neo-Romanesque style of architecture.

<h2 id="united-states">United States</h2>
The Church of the Pilgrims—now the <a href="/facts/Our_Lady_of_Lebanon_Maronite_Cathedral_(Brooklyn)/YqsEwBDo">Maronite Cathedral of Our Lady of Lebanon</a>—in <a href="/facts/Brooklyn_Heights%2c_Brooklyn/QNLEYt5m">Brooklyn Heights, Brooklyn</a>, designed by <a href="/facts/Richard_Upjohn/Ws7EBKoh">Richard Upjohn</a> and built 1844–46, is generally considered the first work of Romanesque Revival architecture in the United States.<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a> It was soon followed by a more prominent design for the <a href="/facts/Smithsonian_Institution_Building/rAQ9p6d6">Smithsonian Institution Building</a> in <a href="/facts/Washington%2c_DC/enXPK156">Washington, DC</a>, designed by <a href="/facts/James_Renwick_Jr./C88RFEBQ">James Renwick Jr.</a> and built 1847–51. Renwick allegedly submitted two proposals to the design competition, one Gothic and the other Romanesque in the style. The Smithsonian chose the latter, which was based on designs from German architecture books.<a class="footnote-ref" id="fnref:16" href="#fn:16">16</a>
Several concurrent forces contributed to the popularizing of the Romanesque Revival in the United States. The first was an influx of German immigrants in the 1840s, who brought the style of the Rundbogenstil with them.<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a> Second, a series of works on the style was published concurrently with the earliest built examples. The first of these, Hints on Public Architecture, written by social reformer <a href="/facts/Robert_Dale_Owen/9z18EAhc">Robert Dale Owen</a> in 1847–48, was prepared for the Building Committee of the Smithsonian Institution and prominently featured illustrations of Renwick's Smithsonian Institution Building. Owen argued that <a href="/facts/Greek_Revival_architecture/nzIgjMK5">Greek Revival architecture</a>—then the prevailing style in the United States for everything from churches to banks to private residences—was unsuitable as a national American style. He maintained that the <a href="/facts/Greek_temple/8PgY5tQN">Greek temples</a> upon which the style was based had neither the windows, chimneys, nor stairs required by modern buildings, and that the low-pitched temple roofs and tall <a href="/facts/Colonnade/7LP0xBhk">colonnades</a> were ill-adapted to cold northern climates. To Owen, most Greek Revival buildings thus lacked architectural truth, because they attempted to hide 19th-century necessities behind classical temple facades.<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a> In its place, he offered that the Romanesque style was ideal for a more flexible and economic American architecture.<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a>
Soon after, the <a href="/facts/Congregational_church/bSVbGWM1">Congregational Church</a> published A Book of Plans for Churches and Parsonages in 1853, containing 18 designs by 10 architects, including Upjohn, Renwick, <a href="/facts/Henry_Austin_(architect)/LDWye7Mg">Henry Austin</a>, and <a href="/facts/Gervase_Wheeler/rLnJ1YnA">Gervase Wheeler</a>, most in the Romanesque Revival style. <a href="/facts/Richard_Salter_Storrs/NWKd0vFo">Richard Salter Storrs</a> and other clergy on the book's committee were members or frequent preachers of Upjohn's Church of the Pilgrims.<a class="footnote-ref" id="fnref:20" href="#fn:20">20</a>
St. Joseph Church in Hammond, Indiana, is Romanesque Revival.<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a>
The most celebrated "Romanesque Revival" architect of the late 19th century was <a href="/facts/Henry_Hobson_Richardson/lc8zAy82">H. H. Richardson</a>, whose mature style was so individual that it is known as "<a href="/facts/Richardsonian_Romanesque/bWk0Pm9X">Richardsonian Romanesque</a>". Among his most prominent buildings are <a href="/facts/Trinity_Church_(Boston)/tRbtHWrj">Trinity Church (Boston)</a> and <a href="/facts/Sever_Hall/CVpyWp3o">Sever Hall</a> and <a href="/facts/Austin_Hall_(Harvard_University)/e4UugSha">Austin Hall</a> at Harvard University.
His disciple, <a href="/facts/R._H._Robertson/CvxwAkrt">R.H. Robertson</a>, designed in a similar style. Robertson is responsible for the construction of <a href="/facts/Pequot_Library/5kS7PYTe">Pequot Library</a>, <a href="/facts/Shelburne_Farms/T9TGM8aA">Shelburne Farms</a>, the <a href="/facts/New_York_Savings_Bank_Building/FUBURIyR">New York Savings Bank</a>, and <a href="/facts/Jacqueline_Kennedy_Onassis/UfTC5DxJ">Jackie Kennedy</a>'s childhood home <a href="/facts/Hammersmith_Farm/f1RwdBKG">Hammersmith Farm</a>.<a class="footnote-ref" id="fnref:22" href="#fn:22">22</a>

<h3>Basilica of the National Shrine of the Immaculate Conception</h3>
The <a href="/facts/Basilica_of_the_National_Shrine_of_the_Immaculate_Conception/u1FRhwdT">Basilica of the National Shrine of the Immaculate Conception</a> is a large Catholic minor basilica and national shrine located in Washington, D.C., United States of America.
The shrine is the largest Catholic church in North America, one of the largest churches in the world, and the tallest habitable building in Washington, D.C.<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a><a class="footnote-ref" id="fnref:24" href="#fn:24">24</a><a class="footnote-ref" id="fnref:25" href="#fn:25">25</a> Its construction of <a href="/facts/Byzantine_Revival_architecture/CgNjGfqE">Byzantine Revival</a> and Romanesque Revival architecture began on September 23, 1920, with renowned contractor John McShain and was completed on December 8, 2017, with the dedication and solemn blessing of the Trinity Dome mosaic on December 8, 2017, the <a href="/facts/Feast_of_the_Immaculate_Conception/gNN5n3Pb">Feast of the Immaculate Conception</a>, by <a href="/facts/Cardinal_(Catholic_Church)/Acxx5Hd4">Cardinal</a> <a href="/facts/Donald_Wuerl/2tLjet8H">Donald William Wuerl</a>.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a>

<h2 id="gallery">Gallery</h2>

Wikimedia Commons has media related to Romanesque revival architecture.

<ul><li><a href="/facts/Alexander_Brown_House/doyAo4Ar">Alexander Brown House</a>, Syracuse, New York</li>
<li><a href="/facts/Gothic_Revival_architecture/gWJmqCH1">Gothic Revival architecture</a></li>
<li><a href="/facts/Museum_of_Early_Trades_and_Crafts/QwTNtzPB">Museum of Early Trades and Crafts</a></li>
<li><a href="/facts/Romanesque_Revival_architecture_in_the_United_Kingdom/NSTjVXWs">Romanesque Revival architecture in the United Kingdom</a></li>
<li><a href="/facts/Richardsonian_Romanesque/bWk0Pm9X">Richardsonian Romanesque</a></li>
<li><a href="/facts/Rundbogenstil/3uD4lonv">Rundbogenstil</a></li>
<li><a href="/facts/Venetian_Gothic/X1R5IEUV">Venetian Gothic</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Whiffen, Marcus. American Architecture Since 1780: A guide to the styles. Cambridge, MA: The MIT Press, 1969, 61. <a href="/wiki/Marcus_Whiffen" target="_blank">/wiki/Marcus_Whiffen</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">Fleming, John, Hugh Honour and Nikolaus Pevsner. The Penguin Dictionary of Architecture. Middlesex, England: Penguin Books, 1983. <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Wilson, Richard Guy. Buildings of Virginia: Tidewater and Piedmont, Oxford University Press, 2002, 524–525. <a href="/wiki/Oxford_University_Press" target="_blank">/wiki/Oxford_University_Press</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Stern, Robert A. M.; Gilmartin, Patrick; Mellins, Thomas (1987). New York 1930: Architecture and Urbanism Between the Two World Wars. New York: Rizzoli. p. 161. ISBN 978-0-8478-3096-1. OCLC 13860977. <a href="978-0-8478-3096-1" target="_blank">978-0-8478-3096-1</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Mowl, Timothy (1981), The Norman Revival in British Architecture 1790–1870. PhD, Thesis, Oxford University. <a href="/wiki/Mowl,_Timothy" target="_blank">/wiki/Mowl,_Timothy</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">This distinction was finally recognised when Rickman's article in the Archaeologia (1837), published by the Society of Antiquaries. <a href="/wiki/Society_of_Antiquaries_of_London" target="_blank">/wiki/Society_of_Antiquaries_of_London</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Mowl, Timothy (1991) Penrhryn and the Norman Revival in "National Trust Guide", Penrhryn Castle, Gwynedd. pp.89–90. <a href="/wiki/Mowl,_Timothy" target="_blank">/wiki/Mowl,_Timothy</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">Stratton T The Terracotta Revival: Building Innovation and the Industrial City in Britain and Northern America Gollancz, London 1993, p. 13. <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">Hubbard E., The Buildings of Wales: Clwyd, Penguin/ Yale 1986, 264 <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">"Wiltshire Community History". Wiltshire Council. Archived from the original on 15 May 2023. Retrieved 15 May 2023. <a href="https://apps.wiltshire.gov.uk/communityhistory/Church/Details/608" target="_blank">https://apps.wiltshire.gov.uk/communityhistory/Church/Details/608</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">Antram N (revised), Pevsner N & Harris J, (1989), The Buildings of England: Lincolnshire, Yale University Press. pp. 521–22. <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">Taking Stock 2025. sfn error: no target: CITEREFTaking_Stock2025 (help) <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">Jones, Donald. "Building University College Tested John Langton's Skill." Toronto Star, 1 October 1983: G20. <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Richards, Larry. The Campus Guide: University of Toronto. New York: Princeton Architectural Press, 2009, 45. <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Marrone, Francis. An Architectural Guidebook to Brooklyn. Layton, UT: Gibb Smith, 2011, 136–37. <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">Poppeliers, John C. and S. Allen Chambers, Jr. What Style Is It?: A Guide to American Architecture. Hoboken, N.J.: John Wiley & Sons, 2003, 54–6. <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Poppeliers, John C. and S. Allen Chambers, Jr. What Style Is It?: A Guide to American Architecture. Hoboken, N.J.: John Wiley & Sons, 2003, 54–6. <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">Owen, Robert Dale. Hints on Public Architecture. New York: George P. Putnam, 1849. <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">Meeks, Carroll L.V. "Romanesque Before Richardson in the United States." The Art Bulletin 23, no. 1 (1953): 17–33. <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">Steege, Gwen W. "The 'Book of Plans' and the Early Romanesque Revival in the United States: A Study in Architectural Patronage." Journal of the Society of Architectural Historians 46, no. 3 (1987): 215–27. <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">1990 Application for Historic District status for the Hohman Ave. commercial district, Hammond, Indiana, by Kurt West Garner <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
<li id="fn:22">"The Career of R. H. Robertson". The New York Times. 7 June 2009. ISSN 0362-4331. Archived from the original on 13 February 2022. Retrieved 12 September 2023. <a href="https://www.nytimes.com/slideshow/2009/06/07/realestate/0607-scapes-slideshow_index.html" target="_blank">https://www.nytimes.com/slideshow/2009/06/07/realestate/0607-scapes-slideshow_index.html</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></li>
<li id="fn:23">"Basilica of the National Shrine of the Immaculate Conception". National Shrine. Archived from the original on 3 February 2009. <a href="https://web.archive.org/web/20090203054648/http://www.nationalshrine.com/site/pp.asp?c=etITK6OTG&b=107986" target="_blank">https://web.archive.org/web/20090203054648/http://www.nationalshrine.com/site/pp.asp?c=etITK6OTG&b=107986</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></li>
<li id="fn:24">"The National Shrine". SkyscraperPage.com. Archived from the original on 5 October 2008. Retrieved 23 July 2011. <a href="https://web.archive.org/web/20081005152023/http://www.nationalshrine.com/site/pp.asp?c=etITK6OTG&b=107986" target="_blank">https://web.archive.org/web/20081005152023/http://www.nationalshrine.com/site/pp.asp?c=etITK6OTG&b=107986</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></li>
<li id="fn:25">The Washington Monument is a taller structure, (though it stands at a lower elevation) but is not a habitable building. <a href="/wiki/Washington_Monument" target="_blank">/wiki/Washington_Monument</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></li>
<li id="fn:26">Samber, Sharon (9 December 2017). "After a century, the largest Catholic church in North America is finally complete". USA Today. Archived from the original on 16 May 2022. Retrieved 10 December 2017. <a href="https://www.usatoday.com/story/news/nation/2017/12/09/after-century-largest-catholic-church-north-america-finally-complete/937410001/" target="_blank">https://www.usatoday.com/story/news/nation/2017/12/09/after-century-largest-catholic-church-north-america-finally-complete/937410001/</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></li>
</ol>

Romanesque Revival architecture open-in-new

Romanesque Revival architecture