As a boy, Tan spent time illustrating poems and stories and drawing dinosaurs, robots and spaceships. At school he was known as a talented artist. At the age of eleven, he became a fan of The Twilight Zone television series as well as books that bore similar themes. Tan cites Ray Bradbury as a favourite at this time. These stories led to Tan writing his own short stories. Of his effort at writing as a youth, Tan tells, "I have a small pile of rejection letters as testament to this ambition!" At the age of sixteen, Tan's first illustration appeared in the Australian magazine Aurealis in 1990.
Tan almost studied to become a geneticist, and enjoyed chemistry, physics, history and English while in high school as well as art and claimed that he did not really know what he wanted to do. During his university studies, Tan decided to move from academic studies to working as an artist.
Initially, Tan worked in black and white because the final reproductions would be printed that way. Some black and white mediums he used include pens, inks, acrylics, charcoal, scraperboard, photocopies, and linocuts. Tan's current colour works include multiple different colours. He uses a graphite pencil to make sketches on ordinary copy paper. The sketches are then reproduced numerous times with different versions varying with parts added or removed. Sometimes scissors are used for this purpose. The cut and paste collage idea in these early stages is often extend to the finished production with many of his illustrations using such materials as "glass, metal, cuttings from other books and dead insects".
Tan describes himself as a slow worker who revises his work many times along the way. He is interested in loss and alienation, and believes that children in particular react well to issues of natural justice. He feels he is "like a translator" of ideas, and is happy and flattered to see his work adapted and interpreted in film and music (such as by the Australian Chamber Orchestra).
Tan draws from a large source of inspiration and cites many influences on his work. His comment on the subject is: "I'm pretty omnivorous when it comes to influences, and I like to admit this openly." Some influences are very direct. The Lost Thing is a strong example where Tan makes visual references to famous artworks. Many of his influences are a lot more subtle visually, some of the influences are ideological.
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Tan, Shaun (3 November 2020). Dog. Crows Nest, NSW. ISBN 978-1-76052-613-9. OCLC 1191088993.{{cite book}}: CS1 maint: location missing publisher (link) 978-1-76052-613-9
Shaun, Tan. "The Tea Party". Retrieved 6 September 2014. http://www.shauntan.net/projects.html#anchor%20tea%20party