Han purple and Han blue

<h2 id="color">Color</h2>
<a href="/facts/Azurite/5IutkQYG">Azurite</a> was the only natural blue pigment used in early China. Early China seems not to have used a natural purple pigment and was the first to develop a synthetic one.<a class="footnote-ref" id="fnref:1" href="#fn:1">1</a>
Han blue in its pure form is, as the name suggests, blue.
Han purple in its pure form is actually a dark blue, that is close to <a href="/facts/Indigo/ICSGEsqH">indigo</a>. It is a <a href="/facts/Purple/PVL40QPo">purple</a> in the way the term is used in <a href="/facts/Colloquial/HvEweYjS">colloquial</a> <a href="/facts/English_language/tpkxGt7b">English</a>, i.e., it is a color between <a href="/facts/Red/gLnFAVx4">red</a> and <a href="/facts/Blue/DHWb8MUa">blue</a>. It is not, however, a purple in the way the term is used in <a href="/facts/Color_science/XDvW7ESP">color science</a>, i.e. a <a href="/facts/Spectral_color/SG0F8xet">nonspectral color</a> between <a href="/facts/Red/gLnFAVx4">red</a> and <a href="/facts/Violet_(color)/zcNJGApt">violet</a> on the 'line of purples' on the <a href="/facts/CIE_chromaticity_diagram/fzgwzV8V">CIE chromaticity diagram</a>. Perhaps the most accurate designation for the color would be to call it 'Han indigo', although it could also be regarded as a bright shade of <a href="/facts/Ultramarine/2oMnJC4R">ultramarine</a> (classifying ultramarine as a color and not a pigment).
The purple color seen in samples of Han purple is created by the presence of red <a href="/facts/Copper_(I)_oxide/lVQAEWXx">copper (I) oxide</a> (Cu2O) which is formed when Han purple decomposes (the red and blue making purple).<a class="footnote-ref" id="fnref:2" href="#fn:2">2</a> The decomposition of Han purple to form copper (I) oxide is<a class="footnote-ref" id="fnref:3" href="#fn:3">3</a>

3 BaCuSi2O6 → BaCuSi4O10 + 2 BaSiO3 + 2 CuO
Above 1050 °C, the CuO <a href="/facts/Copper_(II)_oxide/62mUJlpm">copper (II) oxide</a> breaks down to copper (I) oxide:<a class="footnote-ref" id="fnref:4" href="#fn:4">4</a>

4 CuO → 2 Cu2O + O2
<h2 id="chemistry">Chemistry</h2>
Both Han purple and Han blue are barium copper silicates (containing <a href="/facts/Barium/IkL09XHQ">barium</a>, <a href="/facts/Copper/I8PEE8oX">copper</a>, <a href="/facts/Silicon/cgWx0hdr">silicon</a>, and <a href="/facts/Oxygen/acyn6o8r">oxygen</a>). However, they differ in their formula, structure, and chemical properties.

<h3>Chemical formula and molecular structure</h3>
<h4>Han purple</h4>
Han purple has the <a href="/facts/Chemical_formula/hghUtthl">chemical formula</a> BaCuSi2O6.
Han purple has a layered <a href="/facts/Chemical_structure/r5rT1Lj4">structure</a> with isolated 4-ring <a href="/facts/Silicates/7NdthSRM">silicates</a>, and contains a copper-copper bond which makes the <a href="/facts/Chemical_compound/37FXqqtv">compound</a> more unstable than Han blue (metal-metal bonds are rare).<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a><a class="footnote-ref" id="fnref:6" href="#fn:6">6</a>

<h4>Han blue</h4>
Han blue has the chemical formula BaCuSi4O10. In 1993, it was discovered to occur naturally as the rare mineral <a href="/facts/Effenbergerite/S0ERDouB">effenbergerite</a>.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a>
Han blue, like Han purple, has a layered structure with silicate forming the structural framework. However, Han blue is more stable because of structural features such as

<ul><li>It is more <a href="/facts/Silica/A3WILp6J">silica</a>-rich.<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a></li>
<li>Each four-ring silicate is linked to four others in the adjacent level, in a zig-zag pattern.<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a></li>
<li>The copper <a href="/facts/Ions/wrbwhF3z">ions</a> are very strongly contained within the stable silicate structure.<a class="footnote-ref" id="fnref:10" href="#fn:10">10</a></li></ul>
<h3>Chemical and physical properties</h3>
Han purple and blue are similar in many of their physical properties, which allow them to be mixed, but they differ in their chemical properties.<a class="footnote-ref" id="fnref:11" href="#fn:11">11</a>

<h4>Exotic properties and applications to superconductivity and quantum computing research</h4>
In 2006 scientists at Stanford, Los Alamos National Laboratory and the Institute for Solid State Physics (University of Tokyo), showed that Han purple "loses a dimension" under suitable conditions when it enters a new state, as a <a href="/facts/Bose-Einstein_Condensate/76peCwfW">Bose-Einstein Condensate</a>. The researchers noted that

<blockquote>"We have shown, for the first time, that the collective behavior in a bulk three-dimensional material can actually occur in just two dimensions. Low dimensionality is a key ingredient in many exotic theories that purport to account for various poorly understood phenomena, including <a href="/facts/High-temperature_superconductivity/MXtx2gvV">high-temperature superconductivity</a>, but until now there were no clear examples of '<a href="/facts/Dimensional_reduction/rKFKDY00">dimensional reduction</a>' in real materials," said Ian Fisher</blockquote>
Other research team members alluded to potential applications to quantum computing. In conventional computers, <a href="/facts/Electron_charge/lPcj6CoQ">electron charges</a> transport information, but <a href="/facts/Electron_spin/guAK2JJ2">electron spin</a> might in the future play a similar role in "<a href="/facts/Spintronic/dAWl8rcI">spintronic</a>" devices:

<blockquote>"Spin currents are capable of carrying far more information than a conventional charge current—which makes them the ideal vehicle for information transport in future applications such as <a href="/facts/Quantum_computing/nbbcgmvq">quantum computing</a>," stated first author Suchitra Sebastian. Noted Fisher: "Our research group focuses on new materials with unconventional magnetic and electronic properties. Han Purple was first synthesized over 2,500 years ago, but we have only recently discovered how exotic its magnetic behavior is. It makes you wonder what other materials are out there that we haven't yet even begun to explore."<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a><a class="footnote-ref" id="fnref:13" href="#fn:13">13</a><a class="footnote-ref" id="fnref:14" href="#fn:14">14</a></blockquote>
<h4>Han purple</h4>
Han purple is <a href="/facts/Chemical_stability/j0YIgc6F">chemically</a> and thermally less stable than Han blue. It fades and decomposes in dilute <a href="/facts/Acid/FySU18n1">acid</a>.<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a><a class="footnote-ref" id="fnref:16" href="#fn:16">16</a><a class="footnote-ref" id="fnref:17" href="#fn:17">17</a> Han purple starts to decompose at temperatures more than 1050–1100 °C and forms a green-black glass at around 1200°C.<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a><a class="footnote-ref" id="fnref:19" href="#fn:19">19</a> It becomes more purplish when ground.<a class="footnote-ref" id="fnref:20" href="#fn:20">20</a>

<h4>Han blue</h4>
Han blue is more chemically and thermally stable. It does not break down in dilute acids,<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a><a class="footnote-ref" id="fnref:22" href="#fn:22">22</a> and becomes more bluish when ground.<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a>

<h2 id="manufacture">Manufacture</h2>
Manufacturing depends on the raw materials, their ratios, fluxes, temperature, atmosphere, and reaction time.<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a>
Production seems to have been focused in northern China, around 200–300 km (120–190 mi) north of the city of <a href="/facts/Xi%2527an/yaIdymtu">Xi'an</a>. This is the area with large deposits of raw materials.<a class="footnote-ref" id="fnref:25" href="#fn:25">25</a> No written records have been found about the production of Han purple or Han blue, so information about manufacture has been achieved through experimentation.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a>

<h3>Raw materials</h3>
The raw materials needed are a barium mineral, <a href="/facts/Quartz/4n86tE2G">quartz</a>, a copper mineral, and a lead salt. It is unknown whether minerals were used in their natural form or were treated, though no evidence exists as yet of treatment.<a class="footnote-ref" id="fnref:27" href="#fn:27">27</a>
The barium source was either <a href="/facts/Witherite/UVEfzDxT">witherite</a> (BaCO3) or <a href="/facts/Baryte/G6frVDl5">baryte</a> (BaSO4).<a class="footnote-ref" id="fnref:28" href="#fn:28">28</a> The rarity of witherite may favor baryte as the most likely source.<a class="footnote-ref" id="fnref:29" href="#fn:29">29</a> Baryte has a slower decomposition rate and so favors Han blue production. Witherite conversely favors Han purple.<a class="footnote-ref" id="fnref:30" href="#fn:30">30</a> In the use of baryte, lead salts (<a href="/facts/Lead_carbonate/KXw6ux0H">lead carbonate</a> or <a href="/facts/Lead(II)_oxide/ekk8cog0">lead oxide</a>) would have been needed to increase yield.<a class="footnote-ref" id="fnref:31" href="#fn:31">31</a> Lead has been detected in association with Han purple and Han blue.<a class="footnote-ref" id="fnref:32" href="#fn:32">32</a><a class="footnote-ref" id="fnref:33" href="#fn:33">33</a><a class="footnote-ref" id="fnref:34" href="#fn:34">34</a>
Lead acts as a <a href="/facts/Catalyst/LPBS7TQC">catalyst</a> in the decomposition of barium minerals and as a <a href="/facts/Ceramic_flux/f0rj9baE">flux</a>.<a class="footnote-ref" id="fnref:35" href="#fn:35">35</a> The amount of lead is important. Too much lead (more than 5%) causes partial melting and glass formation above 1000 °C.<a class="footnote-ref" id="fnref:36" href="#fn:36">36</a>
The role of lead is:<a class="footnote-ref" id="fnref:37" href="#fn:37">37</a>

BaSO4 + PbO ⇌ PbSO4 + BaO
<h3>The manufacturing process</h3>
The preparation of Han blue using <a href="/facts/Malachite/NG5p4aCv">malachite</a>, <a href="/facts/Silica/A3WILp6J">silica</a> and <a href="/facts/Witherite/UVEfzDxT">witherite</a> as raw minerals also releases <a href="/facts/Carbon_dioxide/xGzpppEp">carbon dioxide</a> and water vapor as by-products according to the following reaction:<a class="footnote-ref" id="fnref:38" href="#fn:38">38</a>

Cu2(CO3)(OH)2 + 8 SiO2 + 2 BaCO3 → 2 BaCuSi4O10 + 3 CO2 + H2O
The solid-state reaction to produce barium copper silicates starts at roughly 900 °C.<a class="footnote-ref" id="fnref:39" href="#fn:39">39</a> Han purple is formed fastest.<a class="footnote-ref" id="fnref:40" href="#fn:40">40</a><a class="footnote-ref" id="fnref:41" href="#fn:41">41</a> Han blue forms when an excess of silica is present and a longer reaction time is allowed.<a class="footnote-ref" id="fnref:42" href="#fn:42">42</a> Early Chinese manufacture generally produced a mixture of Han blue and Han purple particles in various ratios, but pure colors were sometimes manufactured.<a class="footnote-ref" id="fnref:43" href="#fn:43">43</a> Han blue could have been brought to a melt, but Han purple does not form a <a href="/facts/Homogeneous_(chemistry)/tms8rbmn">homogeneous</a> melt, so it would have had to use a <a href="/facts/Sintering/Y4eGLzFf">sintering</a> process.<a class="footnote-ref" id="fnref:44" href="#fn:44">44</a>
Prolonged firing causes Han purple to break down and form Han blue:<a class="footnote-ref" id="fnref:45" href="#fn:45">45</a>

3 BaCuSi2O6 → BaCuSi4O10 + 2 BaSiO3 + 2 CuO
The temperature needed to be high (around 900–1000 °C) and kept at that temperature for long periods.<a class="footnote-ref" id="fnref:46" href="#fn:46">46</a><a class="footnote-ref" id="fnref:47" href="#fn:47">47</a> Han purple is thermally sensitive, so temperature control for producing Han purple needed to be fairly constant (± 50 °C).<a class="footnote-ref" id="fnref:48" href="#fn:48">48</a> Han blue is thermally less sensitive.<a class="footnote-ref" id="fnref:49" href="#fn:49">49</a> 
Under the right conditions, the manufacture of Han purple would have taken around 10–24 hours, while Han blue would have taken twice as long.<a class="footnote-ref" id="fnref:50" href="#fn:50">50</a> 
Temperature would have been controlled by testing of firing materials, the size, shape, and material of the <a href="/facts/Kiln/MFTuDWhU">kiln</a>, and the control of the environment.<a class="footnote-ref" id="fnref:51" href="#fn:51">51</a> Technology for achieving and maintaining high temperatures would have been known from metal and ceramic production<a class="footnote-ref" id="fnref:52" href="#fn:52">52</a><a class="footnote-ref" id="fnref:53" href="#fn:53">53</a><a class="footnote-ref" id="fnref:54" href="#fn:54">54</a> e.g. the potential use of twin bellows as used in metal production.<a class="footnote-ref" id="fnref:55" href="#fn:55">55</a>

<h2 id="comparison">Comparison</h2>
<table><tbody><tr><th>Characteristics</th><th>Han purple</th><th>Han blue</th></tr><tr><td>Chemical formula <a href="/facts/Cement_chemist_notation/VgxwK98o">(Oxide notation)</a></td><td>BaCuSi2O6 (BaO·CuO·2SiO2)</td><td>BaCuSi4O10 (BaO·CuO·4SiO2)</td></tr><tr><td>Minimum temperature for production</td><td>900 – 1000 °C</td><td>circa 1000 °C</td></tr><tr><td>Manufacture time</td><td>10 – 24 hours</td><td>20 – 48 hours</td></tr><tr><td>Decomposition temperature</td><td>1050 – 1100 °C</td><td>>1200 °C</td></tr><tr><td>Thermally stable?</td><td>No</td><td>Yes</td></tr><tr><td>Stable in acid?</td><td>No</td><td>Yes</td></tr><tr><td>Color increase when ground?</td><td>Yes</td><td>Yes</td></tr></tbody></table>
<h2 id="history">History</h2>
<h3>Hypothesis on origin</h3>
Han blue and Egyptian blue have the same basic structure and have very similar properties.<a class="footnote-ref" id="fnref:56" href="#fn:56">56</a> The main difference is that Egyptian blue (CaCuSi4O10) has <a href="/facts/Calcium/hf252CC0">calcium</a> in the position of Han blue's barium (BaCuSi4O10). The similarity led some to suggest that Han blue was based on Egyptian blue knowledge, which had traveled east along the <a href="/facts/Silk_Road/TLBryY39">Silk Road</a>.<a class="footnote-ref" id="fnref:57" href="#fn:57">57</a> Independent innovation in China would still have been needed to replace calcium with barium<a class="footnote-ref" id="fnref:58" href="#fn:58">58</a> (the Han pigments start to form at 100 – 200°C higher than the Egyptian blue).<a class="footnote-ref" id="fnref:59" href="#fn:59">59</a>
The two hypotheses underlying the speculations about the exact chronology of the invention of these blue pigments can be summarized as follows:

<ul><li>That earlier alkali metal glazing techniques were based on knowledge from Egypt, but that the copper silicate pigments (Egyptian blue and Han blue) developed from these glazes in two independent areas: Egypt and China.<a class="footnote-ref" id="fnref:60" href="#fn:60">60</a></li>
<li>Alternatively, that examples of Han blue predate the official Silk Road and therefore that development was completely independent.<a class="footnote-ref" id="fnref:61" href="#fn:61">61</a></li></ul>
<h3>Chinese invention</h3>
The case against links with Egyptian blue includes the absence of lead in Egyptian blue and the lack of examples of Egyptian blue in China.<a class="footnote-ref" id="fnref:62" href="#fn:62">62</a><a class="footnote-ref" id="fnref:63" href="#fn:63">63</a>
The use of quartz, barium, and lead components in <a href="/facts/Ancient_Chinese_glass/serTsGCQ">ancient Chinese glass</a> and Han purple and Han blue has been used to suggest a connection between glassmaking and the manufacture of pigments,<a class="footnote-ref" id="fnref:64" href="#fn:64">64</a> and to argue for independent Chinese invention.<a class="footnote-ref" id="fnref:65" href="#fn:65">65</a> <a href="/facts/Taoist/Bk79rd9J">Taoist</a> <a href="/facts/Alchemy/CEx0U1Em">alchemists</a> may have developed Han purple from their knowledge of glassmaking.<a class="footnote-ref" id="fnref:66" href="#fn:66">66</a>
The lead is used by pigment maker to lower the melting point of the barium in Han Purple.<a class="footnote-ref" id="fnref:67" href="#fn:67">67</a>
The increase and decrease of barium glasses, and Han purple and Han blue, follow similar patterns. Both peaked in the <a href="/facts/Han_dynasty/hanfxS9D">Han dynasty</a>, declining afterwards.<a class="footnote-ref" id="fnref:68" href="#fn:68">68</a> Pre-Han to <a href="/facts/Tang_dynasty/FFhmVfwM">Tang</a> dynasties see a shift from lead-barium-silicate type glass to lead-soda-lime glass.<a class="footnote-ref" id="fnref:69" href="#fn:69">69</a> The reason for decline is debatable. Liu et al.<a class="footnote-ref" id="fnref:70" href="#fn:70">70</a> attribute the decline to the decline of Taoism when <a href="/facts/Confucianism/Nlbwgmxw">Confucianism</a> was introduced, since they link pigment manufacture to the ideology of Taoism. Berke (2007)<a class="footnote-ref" id="fnref:71" href="#fn:71">71</a> believes that political changes stopped the distribution of the pigments as the Chinese Empire was split at the end of the Han period.

<h2 id="uses-in-cultural-contexts">Uses in cultural contexts</h2>
Han blue seems to have been favored in earlier (<a href="/facts/Zhou_dynasty/70beuGpa">Zhou</a>) periods, and Han purple in later periods (circa 400 BC).<a class="footnote-ref" id="fnref:72" href="#fn:72">72</a> 
The Han pigments consist of varying combinations of blue, purple and colorless components.<a class="footnote-ref" id="fnref:73" href="#fn:73">73</a> The grinding together of Han purple and Han blue would have allowed a variety of blue-purple shades.<a class="footnote-ref" id="fnref:74" href="#fn:74">74</a> 
The pigments were used for:

<ul><li>Beads (from late <a href="/facts/Western_Zhou/v0V50ewQ">Western Zhou</a> period (1201–771 BC)<a class="footnote-ref" id="fnref:75" href="#fn:75">75</a>)</li>
<li>Octagonal sticks (from <a href="/facts/Warring_States_period/8P3avwna">Warring States period</a><a class="footnote-ref" id="fnref:76" href="#fn:76">76</a>)</li>
<li>The <a href="/facts/Terracotta_Army/bnd6yBGz">Terracotta Army</a> (<a href="/facts/Qin_dynasty/TeBU8Nh3">Qin dynasty</a>)</li>
<li>Painted figurines (<a href="/facts/Han_dynasty/hanfxS9D">Han dynasty</a>)</li>
<li>Ceramic vessels (Han dynasty)</li>
<li>Metal objects (Han dynasty)</li>
<li>Wall paintings (Han dynasty)</li></ul>
<h3>Beads</h3>
Some of the earliest examples of the use of the Han pigments are beads which date back to the <a href="/facts/Western_Zhou/v0V50ewQ">Western Zhou</a> period. The pigments are either present as compact bodies or in glazed layers.<a class="footnote-ref" id="fnref:77" href="#fn:77">77</a>

<h3>Octagonal sticks</h3>
These are compact bodies (solid sticks/rods) with shades ranging from light blue to dark purple. The range of colors is due to varying proportions of Han blue, Han purple, and <a href="/facts/Transparency_and_translucency/PRryNNW6">colorless</a> material.<a class="footnote-ref" id="fnref:78" href="#fn:78">78</a> They are thought to be pigment sticks which were traded then ground to be used as pigment bases in paints.<a class="footnote-ref" id="fnref:79" href="#fn:79">79</a><a class="footnote-ref" id="fnref:80" href="#fn:80">80</a> They may have been of importance themselves, as <a href="/facts/Ceremonial/c5NTgepr">ceremonial</a> or <a href="/facts/Bureaucratic/V9oFPCuG">bureaucratic</a> items of importance.<a class="footnote-ref" id="fnref:81" href="#fn:81">81</a>

<h3>Terracotta army</h3>
Han purple and Han blue were first used in paints in the Qin dynasty. Han purple was used for the <a href="/facts/Terracotta_Army/bnd6yBGz">Terracotta Army</a> in the tomb of Emperor <a href="/facts/Qin_Shi_Huang/xmuV0u4l">Qin Shi Huang</a>—the expense of producing Han purple and other pigments in such large quantities would have emphasized luxury and status.<a class="footnote-ref" id="fnref:82" href="#fn:82">82</a> Han purple seems to have mostly been used on the trousers (pants) of the warriors.<a class="footnote-ref" id="fnref:83" href="#fn:83">83</a> The pigment was bound to the <a href="/facts/Terracotta/Yze0TnSH">terracotta</a> surface with <a href="/facts/Lacquer/83C6H1IW">lacquer</a>.<a class="footnote-ref" id="fnref:84" href="#fn:84">84</a> The warriors were fired at the same temperature as that needed for the manufacture of Han purple (950–1,050 °C [1,740–1,920 °F]), so the same kilns may have been used for both processes.<a class="footnote-ref" id="fnref:85" href="#fn:85">85</a> 
No evidence indicates Han blue being used for the warriors (<a href="/facts/Azurite/5IutkQYG">azurite</a> was used for the blue).<a class="footnote-ref" id="fnref:86" href="#fn:86">86</a><a class="footnote-ref" id="fnref:87" href="#fn:87">87</a>

<h3>Painted pottery figurines</h3>
Smaller painted pottery figurines have been found e.g. the Western Han dynasty Chu Tombs, <a href="/facts/Xuzhou/aNWWaty1">Xuzhou</a>, <a href="/facts/Jiangsu/PYdTsg5R">Jiangsu</a> Province<a class="footnote-ref" id="fnref:88" href="#fn:88">88</a> and in the Han dynasty Yangling tombs of <a href="/facts/Emperor_Jing_of_Han/SzELPqfJ">Emperor Liuqi</a> and his Empress (156–141 BC).<a class="footnote-ref" id="fnref:89" href="#fn:89">89</a>

<h3>Ceramic vessels</h3>
Han blue and Han purple were used to decorate Han dynasty <a href="/facts/Hu_(vessel)/KrdVRCCM">Hu</a> dark grey pottery vessels.<a class="footnote-ref" id="fnref:90" href="#fn:90">90</a><a class="footnote-ref" id="fnref:91" href="#fn:91">91</a>

<h3>Metal objects</h3>
Bronze vessels in the Han dynasty, e.g. a bowl and top of a steamer, were decorated with Han purple.<a class="footnote-ref" id="fnref:92" href="#fn:92">92</a>

<h3>Wall paintings</h3>
<ul><li>A <a href="/facts/Lintel/JtoKkefa">lintel</a> and <a href="/facts/Pediment/cUwQ9tbj">pediment</a> from a Han dynasty tomb near <a href="/facts/Luoyang/wJC8mfXn">Luoyang</a> were painted with a light blue pigment consisting of blue, purple, and colorless components.<a class="footnote-ref" id="fnref:93" href="#fn:93">93</a></li>
<li>An Eastern Han-period tomb mural painting in the Xi'an area is one of the last examples of the use of synthetic barium copper silicate pigments (Han purple).<a class="footnote-ref" id="fnref:94" href="#fn:94">94</a></li></ul>
<h2 id="preservation">Preservation</h2>
Due to the instability of Han purple, it shows significant signs of weathering on archaeologically excavated artifacts. The <a href="/facts/Copper(I)_oxide/lVQAEWXx">copper(I) oxide</a> formed in the decomposition of Han purple (see section on color) remains stable, but Han purple continues to deteriorate, and its purple color increases with time.<a class="footnote-ref" id="fnref:95" href="#fn:95">95</a> 
Han purple fades in acid, so colorless particles found in pigments containing Han blue and Han purple may be particles which were originally purple, but which faded in acidic conditions in burial.<a class="footnote-ref" id="fnref:96" href="#fn:96">96</a>
In addition, Han blue has fungicidal properties, so preserves better. Han purple reacts with <a href="/facts/Oxalic_acid/w4sCtT89">oxalic acid</a> to form BaCu(C2O4)2. The light blue color of this coordination polymer may explain the light blue color of some of the Terracotta Warriors' trousers – the color resulting from the presence of <a href="/facts/Oxalate/u0Gdem0A">oxalate</a>-excreting lichens.<a class="footnote-ref" id="fnref:97" href="#fn:97">97</a>

<h2 id="notes">Notes</h2>
Two other synthetic blue barium copper silicate compounds have been found in trace amounts, but are as yet unnamed. They are

<ul><li>BaCu2Si2O7 (blue color)</li>
<li>Ba2CuSi2O7 (light blue color)<a class="footnote-ref" id="fnref:98" href="#fn:98">98</a></li></ul>
<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/Blue_pigments/6M7hzQ6M">Blue pigments</a></li>
<li><a href="/facts/Cobalt_blue/rVImlMf3">Cobalt blue</a> – Blue pigment</li>
<li><a href="/facts/Egyptian_blue/Lv3SnQUf">Egyptian blue</a> – Pigment used in ancient Egypt</li>
<li><a href="/facts/Maya_blue/lkvnc7uq">Maya blue</a> – Azure blue pigment made in pre-Columbian Mesoamerica</li>
<li><a href="/facts/Persian_blue/3q9AB2o2">Persian blue</a> – Blue colour associated with Persian pottery</li>
<li><a href="/facts/Prussian_blue/IV0VooPH">Prussian blue</a> – Synthetic pigment</li>
<li><a href="/facts/Ancient_Chinese_glass/serTsGCQ">Ancient Chinese glass</a></li>
<li><a href="/facts/List_of_colors/mFdEBmgQ">List of colors</a></li>
<li><a href="/facts/List_of_inorganic_pigments/8Q9HC7AT">List of inorganic pigments</a></li></ul>

<h2 id="external-links">External links</h2>
<ul><li><a href="http://www.Magnet.FSU.edu/mediacenter/news/pressreleases/2006may31.html">Raiders of the Lost Dimension</a> <a href="https://web.archive.org/web/20141225132115/http://www.magnet.fsu.edu/mediacenter/news/pressreleases/2006may31.html">Archived</a> 2014-12-25 at the <a href="/facts/Wayback_Machine/nmQ3a6JC">Wayback Machine</a> (Magnet Lab, FSU) May 21, 2006</li>
<li><a href="https://web.archive.org/web/20140810151358/http://www.spacedaily.com/reports/Raiders_Of_The_Lost_Dimension.html">Microscopic image of Han Purple</a> (credit: Marcelo Jaime of MST-NHMFL)</li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Thieme, C. 2001. (translated by M. Will) Paint Layers and Pigments on the Terracotta Army: A Comparison with Other Cultures of Antiquity. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 52–57. <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Effenbergerite mineral information. Mindat. Accessed September 23, 2008" <a href="http://www.mindat.org/min-6911.html" target="_blank">http://www.mindat.org/min-6911.html</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">3-D insulator called Han Purple loses a dimension to enter magnetic 'Flatland' Dye first made 2,500 years ago is focus of quantum spin study. Stanford University News, June 2, 2006 <a href="http://news.stanford.edu/news/2006/june7/flat-060706.html" target="_blank">http://news.stanford.edu/news/2006/june7/flat-060706.html</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">"Purple Haze: Ancient Pigment Reveals Secrets About Unusual State Of Matter". <a href="https://www.sciencedaily.com/releases/2006/07/060712075724.htm" target="_blank">https://www.sciencedaily.com/releases/2006/07/060712075724.htm</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Purple Haze Archived 2017-01-07 at the Wayback Machine Ancient pigment reveals secrets about unusual state of matter. National Science Foundation, July 11,2006 <a href="https://www.nsf.gov/mobile/discoveries/disc_summ.jsp?cntn_id=107087" target="_blank">https://www.nsf.gov/mobile/discoveries/disc_summ.jsp?cntn_id=107087</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
<li id="fn:22">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:22" class="footnote-back-ref">↩</a></li>
<li id="fn:23">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></li>
<li id="fn:24">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:24" class="footnote-back-ref">↩</a></li>
<li id="fn:25">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></li>
<li id="fn:26">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></li>
<li id="fn:27">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></li>
<li id="fn:28">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:28" class="footnote-back-ref">↩</a></li>
<li id="fn:29">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></li>
<li id="fn:30">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:30" class="footnote-back-ref">↩</a></li>
<li id="fn:31">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:31" class="footnote-back-ref">↩</a></li>
<li id="fn:32">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:32" class="footnote-back-ref">↩</a></li>
<li id="fn:33">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:33" class="footnote-back-ref">↩</a></li>
<li id="fn:34">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:34" class="footnote-back-ref">↩</a></li>
<li id="fn:35">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:35" class="footnote-back-ref">↩</a></li>
<li id="fn:36">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:36" class="footnote-back-ref">↩</a></li>
<li id="fn:37">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:37" class="footnote-back-ref">↩</a></li>
<li id="fn:38">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:38" class="footnote-back-ref">↩</a></li>
<li id="fn:39">Wiedemann, H. G. and Bayer, G. 1997. Formation and Stability of Chinese Barium Copper-Silicate Pigments. In: N. Agnew (ed.) Conservation of Ancient Sites on the Silk Road: Proceedings of an International Conference on the Conservation of Grotto sites. Los Angeles: The Getty Conservation Institute, 379–387. <a href="#fnref:39" class="footnote-back-ref">↩</a></li>
<li id="fn:40">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:40" class="footnote-back-ref">↩</a></li>
<li id="fn:41">Wiedemann, H. G. Bayer, G. and Reller, A. 1998. Egyptian blue and Chinese blue. Production technologies and applications of two historically important blue pigments. In: S. Colinart and M. Menu (eds.) La couleur dans la peinture et l'émaillage de l'Égypte ancienne. Actes de la Table Ronde Ravello, 20–22 mars 1997. Bari: Edipuglia, 195–203. <a href="#fnref:41" class="footnote-back-ref">↩</a></li>
<li id="fn:42">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:42" class="footnote-back-ref">↩</a></li>
<li id="fn:43">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:43" class="footnote-back-ref">↩</a></li>
<li id="fn:44">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:44" class="footnote-back-ref">↩</a></li>
<li id="fn:45">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:45" class="footnote-back-ref">↩</a></li>
<li id="fn:46">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:46" class="footnote-back-ref">↩</a></li>
<li id="fn:47">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:47" class="footnote-back-ref">↩</a></li>
<li id="fn:48">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:48" class="footnote-back-ref">↩</a></li>
<li id="fn:49">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:49" class="footnote-back-ref">↩</a></li>
<li id="fn:50">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:50" class="footnote-back-ref">↩</a></li>
<li id="fn:51">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:51" class="footnote-back-ref">↩</a></li>
<li id="fn:52">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:52" class="footnote-back-ref">↩</a></li>
<li id="fn:53">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:53" class="footnote-back-ref">↩</a></li>
<li id="fn:54">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:54" class="footnote-back-ref">↩</a></li>
<li id="fn:55">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:55" class="footnote-back-ref">↩</a></li>
<li id="fn:56">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:56" class="footnote-back-ref">↩</a></li>
<li id="fn:57">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:57" class="footnote-back-ref">↩</a></li>
<li id="fn:58">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:58" class="footnote-back-ref">↩</a></li>
<li id="fn:59">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:59" class="footnote-back-ref">↩</a></li>
<li id="fn:60">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:60" class="footnote-back-ref">↩</a></li>
<li id="fn:61">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:61" class="footnote-back-ref">↩</a></li>
<li id="fn:62">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:62" class="footnote-back-ref">↩</a></li>
<li id="fn:63">"Ancient Warriors and the Origin of Chinese Purple". Stanford University. 30 March 2007. <a href="https://www-ssrl.slac.stanford.edu/content/science/highlight/2007-03-30/ancient-warriors-and-origin-chinese-purple" target="_blank">https://www-ssrl.slac.stanford.edu/content/science/highlight/2007-03-30/ancient-warriors-and-origin-chinese-purple</a> <a href="#fnref:63" class="footnote-back-ref">↩</a></li>
<li id="fn:64">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:64" class="footnote-back-ref">↩</a></li>
<li id="fn:65">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:65" class="footnote-back-ref">↩</a></li>
<li id="fn:66">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:66" class="footnote-back-ref">↩</a></li>
<li id="fn:67">"A Lost Purple Pigment, Where Quantum Physics and the Terracotta Warriors Collide". 18 December 2014. <a href="https://hyperallergic.com/165493/a-lost-purple-pigment-where-quantum-physics-and-the-terracotta-warriors-collide/" target="_blank">https://hyperallergic.com/165493/a-lost-purple-pigment-where-quantum-physics-and-the-terracotta-warriors-collide/</a> <a href="#fnref:67" class="footnote-back-ref">↩</a></li>
<li id="fn:68">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:68" class="footnote-back-ref">↩</a></li>
<li id="fn:69">Seligman, C. G.; Ritchie, P. D.; Beck, H. C. (1936). "Early Chinese Glass from Pre-Han to Tang Times". Nature. 138 (3495): 721. Bibcode:1936Natur.138..721S. doi:10.1038/138721a0. S2CID 4097744. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:69" class="footnote-back-ref">↩</a></li>
<li id="fn:70">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:70" class="footnote-back-ref">↩</a></li>
<li id="fn:71">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:71" class="footnote-back-ref">↩</a></li>
<li id="fn:72">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:72" class="footnote-back-ref">↩</a></li>
<li id="fn:73">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:73" class="footnote-back-ref">↩</a></li>
<li id="fn:74">Berke, H.; Wiedemann, H. G. (2000). "The Chemistry and Fabrication of the Anthropogenic Pigments Chinese Blue and Purple in Ancient China". East Asian Science, Technology, and Medicine. 17: 94–120. doi:10.1163/26669323-01701006. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:74" class="footnote-back-ref">↩</a></li>
<li id="fn:75">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:75" class="footnote-back-ref">↩</a></li>
<li id="fn:76">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:76" class="footnote-back-ref">↩</a></li>
<li id="fn:77">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:77" class="footnote-back-ref">↩</a></li>
<li id="fn:78">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:78" class="footnote-back-ref">↩</a></li>
<li id="fn:79">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:79" class="footnote-back-ref">↩</a></li>
<li id="fn:80">Berke, H. 2002. Chemistry in Ancient Times: The Development of Blue and Purple Pigments. Angewandte Chemie International Edition 41/14, 2483–2487. <a href="#fnref:80" class="footnote-back-ref">↩</a></li>
<li id="fn:81">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:81" class="footnote-back-ref">↩</a></li>
<li id="fn:82">Thieme, C. 2001. (translated by M. Will) Paint Layers and Pigments on the Terracotta Army: A Comparison with Other Cultures of Antiquity. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 52–57. <a href="#fnref:82" class="footnote-back-ref">↩</a></li>
<li id="fn:83">Thieme, C. 2001. (translated by M. Will) Paint Layers and Pigments on the Terracotta Army: A Comparison with Other Cultures of Antiquity. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 52–57. <a href="#fnref:83" class="footnote-back-ref">↩</a></li>
<li id="fn:84">Rogner, I. 2001. New Methods to Characterise and to Consolidate the Polychrome Qi-lacquer of the Terracotta Army. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris:ICOMOS, 46–51. <a href="#fnref:84" class="footnote-back-ref">↩</a></li>
<li id="fn:85">Liu, Z.; Mehta, A.; Tamura, N.; Pickard, D.; Rong, B.; Zhou, T.; Pianetta, P. (2007). "Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors". Journal of Archaeological Science. 34 (11): 1878. Bibcode:2007JArSc..34.1878L. CiteSeerX 10.1.1.381.8552. doi:10.1016/j.jas.2007.01.005. S2CID 17797649. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:85" class="footnote-back-ref">↩</a></li>
<li id="fn:86">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:86" class="footnote-back-ref">↩</a></li>
<li id="fn:87">Thieme, C. 2001. (translated by M. Will) Paint Layers and Pigments on the Terracotta Army: A Comparison with Other Cultures of Antiquity. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 52–57. <a href="#fnref:87" class="footnote-back-ref">↩</a></li>
<li id="fn:88">Cheng, Xiaolin; Xia, Yin; Ma, Yanru; Lei, Yong (2007). "Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy-dispersive X-ray spectrometry and polarized light microscopy". Journal of Raman Spectroscopy. 38 (10): 1274. Bibcode:2007JRSp...38.1274C. doi:10.1002/jrs.1766. <a href="/wiki/Journal_of_Raman_Spectroscopy" target="_blank">/wiki/Journal_of_Raman_Spectroscopy</a> <a href="#fnref:88" class="footnote-back-ref">↩</a></li>
<li id="fn:89">Zuo, Jian; Zhao, Xichen; Wu, Ruo; Du, Guangfen; Xu, Cunyi; Wang, Changsui (2003). "Analysis of the pigments on painted pottery figurines from the Han Dynasty's Yangling Tombs by Raman microscopy". Journal of Raman Spectroscopy. 34 (2): 121. Bibcode:2003JRSp...34..121Z. doi:10.1002/jrs.963. <a href="/wiki/Bibcode_(identifier)" target="_blank">/wiki/Bibcode_(identifier)</a> <a href="#fnref:89" class="footnote-back-ref">↩</a></li>
<li id="fn:90">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:90" class="footnote-back-ref">↩</a></li>
<li id="fn:91">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:91" class="footnote-back-ref">↩</a></li>
<li id="fn:92">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:92" class="footnote-back-ref">↩</a></li>
<li id="fn:93">FitzHugh, E. W. and Zycherman, L. A. 1983. An Early Man-Made Blue Pigment from China: Barium Copper Silicate. Studies in Conservation 28/1, 15–23. <a href="#fnref:93" class="footnote-back-ref">↩</a></li>
<li id="fn:94">Cheng, Xiaolin; Xia, Yin; Ma, Yanru; Lei, Yong (2007). "Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy-dispersive X-ray spectrometry and polarized light microscopy". Journal of Raman Spectroscopy. 38 (10): 1274. Bibcode:2007JRSp...38.1274C. doi:10.1002/jrs.1766. <a href="/wiki/Journal_of_Raman_Spectroscopy" target="_blank">/wiki/Journal_of_Raman_Spectroscopy</a> <a href="#fnref:94" class="footnote-back-ref">↩</a></li>
<li id="fn:95">Berke, Heinz (2007). "The Invention of Blue and Purple Pigments in Ancient Times". ChemInform. 38 (19). doi:10.1002/chin.200719227. <a href="/wiki/Doi_(identifier)" target="_blank">/wiki/Doi_(identifier)</a> <a href="#fnref:95" class="footnote-back-ref">↩</a></li>
<li id="fn:96">FitzHugh, E. W. and Zycherman, L. A. 1992. A Purple Barium Copper Silicate Pigment from Early China. Studies in Conservation 28/1, 15–23. <a href="#fnref:96" class="footnote-back-ref">↩</a></li>
<li id="fn:97">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:97" class="footnote-back-ref">↩</a></li>
<li id="fn:98">Wiedemann, H. G. and Berke, H. 2001. Chemical and Physical Investigations of Egyptian and Chinese Blue and Purple. In: W. Yongqi, Z. Tinghao, M. Petzet, E. Emmerling and C. Blänsdorf (eds.) The Polychromy of Antique Sculptures and the Terracotta Army of the First Chinese Emperor: Studies on Materials, Painting Techniques and Conservation. Monuments and Sites III. Paris: ICOMOS, 154–169. <a href="#fnref:98" class="footnote-back-ref">↩</a></li>
</ol>

Han purple and Han blue open-in-new

Han purple and Han blue